Ocula Magazine's editors present their picks from Sydney Contemporary Presents 2020.
Connect with Melbourne via nine online programmes ahead of Melbourne Art Fair's Online Viewing Rooms.
Curated by Anita Dube, the 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life (12 December 2018–29 March 2019) 'places access at its core', writes Natalie King.
As far as art fair venues go, Sydney Contemporary (13–16 September 2018) has nailed it with Carriageworks, where the fair was once again staged. Formerly a rail yard and now a cultural centre, the space has retained its distinctive 19 th -century industrial details, and it offered a striking light-filled backdrop to the fair's crisp white...
'With a thriving contemporary art scene, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its leading commercial galleries, public institutions, private museums, festivals and Biennale. Defined by the vibrancy of its host city, Sydney Contemporary provides collectors...
Held at the Southbank Arts Precinct, Melbourne Art Week returns with fanfare and slight trepidation between 30 July and 5 August 2018.
Australian artist Brook Andrew 's practice often finds inspiration in institutional archives, but his intentions go beyond the archaeological: he is not primarily interested in discovering or documenting the past, but in 'un-cementing' history's hold on events, people and beliefs, and in doing so, freeing the discussions taking place today from...
A selection of this week's most searched artists on Ocula.com
Art Basel Hong Kong has started early this year. I don't mean just the dates, which have been pushed forward from May to March. I mean inboxes are already flooded with invitations for previews and dinners taking place well ahead of the March 22 VIP preview. There are more events, more exhibitions, and certainly more collectors descending upon Hong...
When Silence Falls Art Gallery of New South Wales, Sydney 19 December 2015 - 1 May 2016 Currently showing in the contemporary galleries of the Art Gallery of New South Wales, When Silence Falls is a collection-based, group exhibition curated by AGNSW curator of Aboriginal and Torres Strait Islander art, Cara Pinchbeck....
Since the late 1980s the major concern for curatorial practice has been the rise of biennale culture; the impact this exhibition format has had upon both the production and reception of contemporary art internationally. Reflecting on this lineage and recent politics from within the Asia-Pacific region, it is apparent that exhibitions such as...
Australian artist Peter Atkins was one of 7 artists invited to create new site-specific public art works for the forthcoming Christchurch Biennial, SCAPE8: New Intimacies, curated by Rob Garrett. An important figure in Australian contemporary art, Peter Atkins has exhibited extensively both in Australia and internationally and is...
A marble bench sat out of the front of the Pearl Lam Galleries stand at the Sydney Contemporary art fair last week. Inscribed with Chinese characters, and without a card stating the artist or artwork title, many visitors simply passed it by. Those who could read the inscription, and those who asked, found out it said: Don’t put too much...
Queen Victoria Memorial Gardens MPavilion Until 31 January 2015 Nestled in Melbourne’s Queen Victoria Memorial Gardens and sponsored by the Naomi Milgrom Foundation, MPavilion is a contradictory vision of permanence and ephemerality, discipline and play. Designed by internationally acclaimed architect Sean Godsell, it is a temporary...
With a Bachelor of Visual Communication from University of Western Sydney, a certificate in Aboriginal Culture and History from Monash University, and a Bachelor of Visual Arts in Painting from the Sydney College of the Arts, Ben Quilty’s work is all about Australia and its social, political, cultural and historical landscapes. The genesis...
Barry Keldoulis has more than three decades experience in the world of contemporary art. Keldoulis started his career in New York where he worked as private secretary and chief of staff for Henry Geldzahler, Commissioner of Cultural Affairs for the City of New York, and the first curator of 20th century art at the Metropolitan Museum of Art....
It is always a joy to share my passion and collection. I consider myself a custodian of my collection. I cannot take it with me when I go.
These days, with the Internet, there is no barrier to seeing art. You can go across to the other side of the world to see a show.
For a city consistently referred to as Australia’s ‘cultural capital’ Melbourne’s National Gallery of Victoria (NGV) has had a track record of casual disregard for the vigorous cultural activities that have been occurring in its midst. It has seemed odd at best, that despite healthy acquisitions of contemporary...
We seem increasingly incapable of rising above a righteous prurience in public debate around matters involving the depiction of the human form.
My work is very much about the suggestive potential of the medium. It's about opening up a space into which one's imagination can flow
" Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will." George Bernard Shaw In 1879, a French postman named Ferdinand Cheval began building an esoteric homage to the beauty of sandstone. On one of his postal rounds, Cheval came across small pieces of...
In literary criticism, the term Bildungsroman refers to a coming of age novel. The protagonist learns a lesson, undergoes a transformation and grows up. They are stories where sentiment conflicts with authority, and we love them because they question our foundations and because we were all kids, once. ‘Emerging’ is the art...