
Tira Walsh presents a series of nine huge paintings originally commissioned by Te Tuhi, Auckland for Ata koia! curated by James Tapsell-Kururangi earlier in 2022. The curatorial premise of Ata koia! was based on a kīwaha – an expression – inspiring an ambience of wonder and surprise. Titled Black Out Days, the series does just that, transforming the space into one of drama and spectacle as the nine paintings occupy one long wall, operating as an architectural mural.Black Out Days refers to both the hues of the paintings and her time as an artist in residence, responding to the pitch black nights in remote Karekare.
Walsh employs an intuitive visual language that references urban graffiti and stencilling, and the element of chance. She transmutes the excesses of physical sensation and treats each canvas as “a silent negotiation with the materials, creating a tension between control and risk.” Walsh manipulates marks on the large scale painted surfaces, making decisions as she goes, both editing and layering, capitalising on the things that work and eliminating what doesn’t.
Presented alongside these paintings is a poem by Liam Jacobson, specifically written in response to Walsh’s magnificent series.
Tira Walsh is one of the most exciting painters to emerge from Auckland’s art schools in recent years. Working with the affective detritus of cinema, popular music and everyday life, Walsh courts experiential incoherence as one of her primary materials. Drawing on the complex and clashing physical sensations of being in the world, Walsh transmutes the excesses of physical sensation into a punch and blur language that treats each canvas as a ‘repository of negotiation’. Taking cues from coloured light spills and street stains, hyper speed and diegetic sound, the manipulations of after-effects and the energetic detritus of the city, she reorders a collage of physical intensities into freefall painterly landscapes of jump cuts and phase shifts. Walsh has begun to accrue a notable exhibition history since graduating with a Master of Creative Practice from Unitec in 2018. Recent group exhibitions include Next, Sydney Contemporary (2019), Sydney, Hustle, Two Rooms Gallery, Auckland (2019), Urbanize, Te Po Gallery (2018); Never An Answer, 12 Abstract Painters, The Vivian, Matakana, curated by Linda Tyler and Lucinda Bennett (2018); Drawcard, State Gallery, Mt Eden, Auckland (2018); My Hands are Visibly Soiled, Snowwhite Gallery, Unitec, Auckland (2018); Roundhouse, TSB Bank Wallace Arts Centre, Auckland (2017-2018); Glaister Ennor Art Award Exhibition, Sanderson Contemporary, Auckland (2017). In 2019 Walsh was awarded the Kaipara Wallace Arts Trust Award, receiving a three-month residency at Altes Spital in Solothurn, Switzerland. In 2021 she has been awarded the Eden Arts, Karekare House residency.


Two Rooms is a contemporary art exhibition venue located in a converted warehouse in Central Auckland, New Zealand. Opened in August 2006, Two Rooms presents a program of residencies and projects by leading International and New Zealand contemporary artists. The building houses two exhibition spaces, the Project Room and the Long Room.

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