Alia Farid Biography

Alia Farid’s multidisciplinary practice—ranging from writing and drawing to film and sculpture—gives visibility to narratives that are obscured by hegemonic power. Farid’s work explores the ecological devastation of southern Iraq and the forced displacement of its people, the under-told histories of Arab and South Asian migration to Latin America and the Caribbean, and the intersectional Palestinian–Puerto Rican solidarity movement.

Alia Farid is a filmmaker and sculptor whose practice centres on lesser-known histories often deliberately erased. She lives and works in Kuwait and Puerto Rico.

She has had recent solo exhibitions at Kunsthalle Basel, Basel (2022); Contemporary Art Museum St. Louis (CAMSTL), St. Louis (2022); Kunstinstituut Melly, Rotterdam (2022); and Portikus, Frankfurt (2019). Recent and upcoming group shows include participation in the Whitney Biennial (2022), Lahore Biennale (2020), Yokohama Triennale (2020), Gwangju Biennale (2019), Theater of Operations: The Gulf Wars 1991-2001 at MoMA PS1 (2019, Sharjah Biennial (2019), and the Bienal de São Paulo (2016).

She has forthcoming solo exhibitions at The Power Plant Contemporary Art Gallery in Toronto and Chisenhale Gallery in London, both in 2023.

Text courtesy Artes Mundi

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Representative Artworks

Alia Farid, In Lieu of What Was (2019). Exhibition view: Diriyah Contemporary Art Biennale 2024: After Rain (20 February–24 May 2024). Courtesy Diriyah Biennale Foundation. Photo: Marco Cappellettii.
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Alia Farid, In Lieu of What Is (2022). Polyester resin and fibreglass. Lota 190 x 190 x 240 cm; jerry can 91 x 233 x 255 cm; juglet 125 x 125 x 297 cm; water bottle 100 x 100 x 295 cm; pitcher 145 x 145 x 245 cm. Exhibition view: In Lieu of What Is, Kunsthalle Basel, Switzerland (11 February–22 May 2022). Photo: Philipp Hänger.
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Alia Farid, In Lieu of What Is (2022). Polyester resin and fibreglass. Lota 190 x 190 x 240 cm; jerry can 91 x 233 x 255 cm; juglet 125 x 125 x 297 cm; water bottle 100 x 100 x 295 cm; pitcher 145 x 145 x 245 cm. Exhibition view: In Lieu of What Is, Kunsthalle Basel, Switzerland (11 February–22 May 2022). Photo: Philipp Hänger.
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Left to right: Alia Farid, El Amal; El Nilo (menú) (both 2023). Produced by Chisenhale Gallery, London. Commissioned by Chisenhale Gallery; Passerelle Centre d'art contemporain, Brest; and The Power Plant, Toronto. Photo: Andy Keate.
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Exhibition view: Alia Farid, Elsewhere, Chisenhale Gallery, London (1 December 2023–4 February 2024). Produced by Chisenhale Gallery. Commissioned by Chisenhale Gallery; Passerelle Centre d'art contemporain, Brest; and The Power Plant, Toronto. Photo: Andy Keate.
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Alia Farid, Chibayish (2022) (still). UHD video (colour, sound). 20 min, 18 sec. Commissioned by Whitney Biennial 2022, New York. Courtesy the artist.
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Alia Farid, In Lieu of What Was (2019) (detail). Fibre-reinforced polymer. Five pieces: 297 x 100 x 100 cm; 280 x 260 x 260 cm; 240 x 130 x 130 cm; 255 x 123 x 123 cm. Courtesy the artist and Portikus, Frankfurt. Photo: Diana Pfammatter. © Alia Farid.
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Alia Farid, In Lieu of What Was (2019). Fibre-reinforced polymer. Five pieces: 297 x 100 x 100 cm; 280 x 260 x 260 cm; 240 x 130 x 130 cm; 255 x 123 x 123 cm. Courtesy the artist and Portikus, Frankfurt. Photo: Diana Pfammatter. © Alia Farid.
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Alia Farid in Ocula Magazine

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