Widely regarded as one of the leading painters working in the United Kingdom, Alison Watt won the National Portrait Gallery’s prestigious annual award in 1987, while still a student at the Glasgow School of Art. She subsequently became known for her figurative paintings, often portraying female nudes, before beginning, in the late 1990s, to focus on depictions of fabric, which had previously acted as supports or backdrops for her compositions. Rather than eliminate the figure, her paintings evoke the human presence through its absence.
Watt’s work is rooted in a deep engagement with the past, particularly the attributes of historical European painting and sculpture. Although the human figure is no longer explicit in Watt’s work, it is often implied. More recently, her painting has focused on the relationships between the genres of still life and portraiture, exploring possible narratives around everyday objects.
Courtesy Lévy Gorvy Dayan

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