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Ocula ReportIranian Art at LACMA: In the Fields of Empty Days12 Jun 2018 : Perwana Nazif for Ocula{{document.location.href}}
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art at the Los Angeles County Museum of Art (LACMA, 6 May–9 September 2018), explores 'the continuous and inescapable presence of the past in Iranian society.' Curated by Linda Komaroff, curator of Islamic art and head of LACMA's Art of the Middle East department, the...
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Ocula ConversationLaure Prouvost{{document.location.href}}
Laure Prouvost's most recent exhibition in New York at Lisson Gallery (9 March–14 April 2018) was a gesamtkunstwerk of sorts. The show spread through the entire 10th Avenue gallery space and included two years of artistic production: installation, sculpture, painting, textile, sound and moving image. Uncle's Travel Agency Franchise, Deep Travel...
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Ocula ReportDak’Art Biennale 2018: The Red Hour1 Jun 2018 : Federica Bueti for Ocula{{document.location.href}}
On my last evening in Dakar, I made my way to Yarakh, a neighbourhood on the eastern side of the Senegalese capital, where I was guided down a narrow sandy path toward a beach where a group of actors, artists, and locals were taking part in or attending the performance Xeex Bi Du Jeex (a luta continua). The play was written collaboratively in 2018...
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Based in Daegu, Choi Byung-So(1943-) has played a pivotal role in Daegu Contemporary Art Festival (during 1970s) which is evaluated as a centripetal force of Korean Contemporary Art Movement. Since the mid-70s, Choi has shown his unique methodology, utilizing newspapers as the material of his work. When it comes to the content of his work, Choi has shown the spirit of avant-garde, the aim of contemporary art, as he draws lines on the newspaper to erase its content, containing various scenes of times in the compressed form of human life. Choi's works, on the same track as contemporary art, demonstrate the practice of self-reflection. He expresses his idea about creation as repetitive discipline-like labor, and the desire to attain the essence of the art, while abstracting colors and images.  

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