Clement Rodzielski queries the original meaning of images through their channels of distribution and reproduction. His work, combining different media, playing complex processes and precise cuts unfolds in plants with a delicate and elegant formalism. According to principles of duplication and re-presentation of the images used, the artist poses a reflection of the tumult of images from visual communication.
His work has been show in international solo exhibitions, including: Musée d’Art moderne de la Ville de Paris, France (2017); Villa Arson, Nice, France (2015); CNEAI, Chatou, France (2014); Indipendenza, Rome, Italy (2014); Galerie Chantal Crousel, Paris, France (2013); Julie et sa cousine, Ecole Supérieure d’Art de Clermont Métropole, Clermont Ferrand, France (2012); Monnaie de nécessité, La Douane/Galerie Chantal Crousel, Paris, France (2011); Bring Home the Oranges, Sutton Lane, London, UK (2011); Die Menschen finden sich in dieser Welt zum Leben, Chert Gallery, Berlin, Germany (2010); Spector, Federico Bianchi Contemporary Art, Lecco, Italy (2009); Miroirs noirs, Galerie RLBQ, Marseille, France (2008); Le nom de l’île, Bétonsalon, Paris, France (2005).
Courtesy Galerie Chantal Crousel

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