Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...
In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...
'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...
Daido Moriyama, Shinjuku, 2002. Image courtesy of the artist, kurimanzutto, and Taka Ishii Gallery. © Daido Moriyama Photo Foundation.
Japanese photographer Daido Moriyama has garnered near-cultic fascination since his images began to infiltrate the American consciousness in the late 1990s. At that time, his work rode to prominence on the wave of discovery surrounding Japanese photography—especially for book enthusiasts, who championed the strangely beautiful amalgam of poetic anti-hero and street snapshot genius in Moriyama's urban wanderings. His photo-essay memoirs of post-war Japan, Memories of a Stray Dog, were finally translated into English by Nazraeli Press in 2004, cementing his seizure of hearts worldwide as its carefully crafted texts met their match in light and shadow. Moriyama's work, passionate, personal, melancholic, bound by an obsession with memory, has since taken over—so much so, that he is now called the father of street photography.
Established in 2001, the Bruce Silverstein Gallery’s principal focus is the representation of an international roster of contemporary artists as well as established artists of great influence. The gallery is committed to discovering, examining, and contextualising known and unknown artworks by modern masters as well as innovative artists of today. The gallery strives to provide a venue for dialogue across all art forms, while specialising in modern and contemporary photography.
Bruce Silverstein Gallery is located at 529 West 20th Street in the heart of the Chelsea Art District. The gallery maintains an in-depth inventory of masterworks of the photographic medium and promotes long-standing relationships with museums, private collectors, art consultants and corporations from around the world. We welcome both experienced and new collectors.
Reflex is an established gallery representing both upcoming and internationally renowned contemporary artists, including Miles Aldridge, Nobuyoshi Araki, Harland Miller, David LaChapelle, Todd Hido, Daido Moriyama, Iris Schomaker, Keith Coventry, Marcus Harvey and Ichwan Noor.
Organising a minimum of six solo shows and group exhibitions a year, the gallery has a wide international reach and offers tailored guidance to private and corporate art collectors. Reflex also operates in the secondary market and is experienced in sourcing exclusive works of photography, painting and sculpture.
Over the last three decades, Reflex developed a strong publishing tradition, producing high quality limited editions, prints and publications. For the latter, the gallery collaborated with the eclectic likes of Wim van Sinderen, Wim Pijbes, Marilyn Manson, Matthias Harder, Marcel Feil, Erik Kessels, Hari Kunzru & Sir Norman Rosenthal to name a few.
Reflex was founded as a family business in 1986. Its name is inspired by the 1948 manifesto of the Cobra group, and can be seen as a gesture of homage.
The Simon Lee Gallery was founded by Simon Lee in 2002 in Berkeley Street, Mayfair. The premise of the Simon Lee Gallery has been from the start to re-present the work of established artists of diverse generations from Europe and the USA to a UK audience from an informed perspective and with a fresh and critical eye.
The gallery also promotes younger artists from Europe and the USA whose work defines a new relationship to the conceptual and regularly punctuates its programme with historical exhibitions and curated group shows which enables the gallery to present a lively perspective on contemporary art practice and thought, and to continue a broader dialogue with artists outside of the gallery programme. Within the London context, the Simon Lee Gallery provides a radical platform from which to present artists and their ideas.
Simon Lee Gallery collaborates with museums and other commercial galleries to give its artists exposure outside London. It also publishes catalogues and artist monographs endeavouring to provide a precise and rigorous context in which its artists can be viewed. In conjunction with the gallery’s emphasis on providing a point of public access to the work of many artists, the gallery also regularly hosts and invites educational groups from museums, art schools and universities from both the UK and abroad.
As a direct extension of the London Headquarters, May 2012 saw the inauguration of Simon Lee Gallery in Pedder Building, Hong Kong under the directorship of Katherine Schaefer. Showing leading artists such as Sherrie Levine, Larry Clark and Matias Faldbakken for the first time in Asia, Simon Lee Gallery’s Hong Kong space aims to introduce the gallery artists to a wider public in Hong Kong. Since inception, Simon Lee Gallery in Hong Kong has integrated with the thriving Asian scene of internationally renowned artistic activities, providing a platform in Asia for their conceptual artists as well as younger artists outside of the programme such as Andre Komatsu and Carla Zaccagnini.
Taka Ishii Gallery opened in 1994 with an exhibition program devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice. The gallery has since exhibited and published the work of contemporary master Japanese and foreign artists as well as supported the development of younger artists.
In the winter of 2011, the gallery inaugurated Taka Ishii Gallery Photography / Film, a second exhibition space located in the Roppongi district of Tokyo. With this new exhibition space, the gallery serves as a forum for the presentation of a focused program considering the work of lesser-known pre and post-war Japanese photographers as well as a site for the exhibition of masterworks by historical and contemporary photographic masters from Japan and abroad.
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