How does cultural exchange work in the world today? Oscar Murillo’s artistic practice—spanning painting, sculpture, installation, video, live events and collaborative projects—examines how ideas and languages are circulated and how they intermingle.
Oscar Murillo was born in La Paila in western Colombia in 1986. His parents both worked in factories and he describes his upbringing as “idyllic”. When his father lost his job during the mid-1990s, the family moved to Hackney in London, which Murillo said was “a big upheaval”. Encouraged by his parents, he became interested in art, which helped him to adjust to his new surroundings. He gained his BFA from the University of Westminster in 2007 and his MFA from the Royal College of Art in 2012, working as a teaching assistant and then as a cleaner in order to fund his studies. His early work was characterised by marks on canvas, often as part of an installation.
Covering displacement, identity and post-colonial and socioeconomic disparities, Oscar Murillo’s artworks combine graffitiesque text, abstract expressionism and found objects. Although Murillo broke on to the art scene with expressionistic oil paintings, his modern practice has expanded to include sculpture, installation, drawing and video. Murillo’s Colombian heritage is an ongoing influence on his work.
Murillo and fellow artists Lawrence Abu Hamdan, Helen Cammock and Tai Shani wrote to the Turner Prize just in 2019 asking for the award to be given to them as a collective. Their letter said: “At this time of political crisis in Britain and much of the world, when there is already so much that divides and isolates people and communities, we feel strongly motivated to use the occasion of the prize to make a collective statement in the name of commonality, multiplicity and solidarity—in art as in society.”
Yes, Murillo’s first solo show at David Zwirner in New York City in 2014 turned the gallery into a working chocolate factory, staffed by employees of an actual Colombian chocolate manufacturer based in his home town. Visitors were encouraged to take the 7,000 chocolate marshmallows produced every day and to watch a documentary about the workers’ participation in the show.
Arguably, Murillo would have achieved fame in the USA, but he was propelled along the path by the influential Miami art collectors Donald and Mera Rubell. Already successful in Europe, Murillo had created a suite of paintings for a London dealer that were shown at the Independent Art Fair in New York in 2012. Although Murillo’s works sold out, the Rubells wanted to meet him and ended up inviting him to their arts foundation, where he stayed for six weeks. Mera Rubell said that his work was “incredible” and that she hadn’t seen that kind of energy since Keith Haring and Jean-Michel Basquiat.
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