Ilana Savdie is a Colombian-born, Brooklyn-based contemporary artist acclaimed for her vibrant, large-scale paintings that interrogate the boundaries of identity, performance, and power within contemporary art. In 2023, her solo exhibition, Radical Contractions, was shown at the Whitney Museum of American Art.
Born in Barranquilla, Colombia, in 1986, Ilana Savdie spent her formative years between Barranquilla and Miami, Florida, experiences that have deeply informed her artistic practice. She holds a Bachelor of Fine Arts from the Rhode Island School of Design (2008) and a Master of Fine Arts from Yale University (2018).
Savdie currently lives and works in Brooklyn, New York. Her multicultural background, with roots in Venezuela and Egypt, alongside her migration to the United States, has shaped her exploration of hybridity and transformation in art.
Savdie’s artworks are renowned for their intoxicatingly fluorescent palettes, which combine figuration and abstraction to explore the mutable nature of the body and identity in contemporary art. Her paintings often employ acrylic, oil, and beeswax, resulting in tactile, skin-like surfaces that blur the line between the beautiful and the grotesque.
Drawing inspiration from various sources, for example, the folklore and spectacle of Barranquilla’s Carnaval, Savdie’s works often investigate performance, masquerade, and resistance, frequently referencing the Marimonda trickster figure as a symbol of subversion and transformation.
Savdie’s early exhibitions, such as Loose Bodies (2018, ltd Los Angeles @ VACATION, New York) and Entrañadas (2021, Kohn Gallery, Los Angeles), established her signature blend of abstraction, figuration, and layered materiality.
Her first solo exhibition outside the United States, In Jest (2022, White Cube, London), marked a pivotal moment, introducing European audiences to her distinctive visual language.
Radical Contractions (2023) at the Whitney Museum of American Art in New York presented newly commissioned works exploring the instability of identity and the transformative potential of performance, incorporating references to Carnaval and bodily forms.
In exhibitions such as Ectopia (2024, White Cube, Paris) and Glottal Stop (2025, White Cube, New York), Savdie furthered her investigation into themes of excess, mimicry, and the politics of resistance through visual excess and bodily fragmentation.
Ilana Savdie has been the subject of both solo and group exhibitions at important institutions.
Savdie’s works are held in the collections of the Whitney Museum of American Art, Hammer Museum (Los Angeles), Museum of Fine Arts (Boston), Museum of Contemporary Art San Diego, San Francisco Museum of Modern Art, Jewish Museum (New York), Rhode Island School of Design Museum of Art, Rachofsky Collection (Dallas), and Burger Collection (Hong Kong)
Savdie’s works are exhibited internationally and held in major museum collections. Notable venues include the Whitney Museum of American Art (New York), the Hammer Museum (Los Angeles), the Museum of Fine Arts (Boston), and the White Cube galleries (London, Paris, and New York).
She primarily works with acrylic, oil, and beeswax, often creating layered surfaces that evoke the texture of skin and organic matter, thereby contributing to the tactile and visceral quality of her contemporary art.
Her Colombian, Venezuelan, and Egyptian heritage, as well as her experiences of migration and Carnaval in Barranquilla, are central to her exploration of hybridity, performance, and resistance in art.
Yes. She received the NXTHVN Fellowship in 2020 and the Creative Capital Award in 2025 for her project ‘Festejeros’.
Savdie’s art frequently addresses the instability of identity, the politics of the body, performance, mimicry, and the interplay between beauty and the grotesque, often referencing folkloric figures and carnival traditions.
Ocula | 2025


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