b. 1959

Dale Frank Biography

Controversial and uncompromising in his penchant for offbeat and confrontational gestures, Australian contemporary artist Dale Frank has divided critics and public alike over the past three decades. His practice is wide-ranging—from documentary films to eccentric performances—but today Frank is best known for his large-scale biomorphic abstract paintings and reflective resin paintings that challenge traditional notions of the medium.

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Beginning to attract attention while still in his teens in the late 1970s, Frank spent ten years in Europe and the United States, returning to Australia in 1988. The beginning of his career was dominated by performance-based work; a notable early example took place in the late 1970s in Italy, where gallery-goers were presented with the then-teenage artist's legs and leather shoes dangling through a hatch in the ceiling.

Later in his career, Frank began exploring sculpture and installation and, eventually, painting. His current painting method involves pouring and brushing on several layers of thick varnish and colour pigments or clear resin, which sometimes embed colour glitter and studio detritus. These distinctive paintings do not depict anything identifiable, but rather are an exploration of different materials, movements and colours. Occasionally, he also includes readymade and industrial elements, such as construction foam, automotive paint, brightly coloured artificial hair (Dale dug another hole [2017]) or silver foil air-ducts (She was a collector of the best Art even though she relied on Emirates points to maintain her lifestyle [2018]). Given their unusual materials, Frank's paintings are not static objects; the materials can settle, react and produce structural changes even once they have left his studio. In recent years, the artist has replaced his usual canvas surface with Perspex, its reflective nature adding another layer to the work.

Provocative titles are often important to Frank's paintings, for example: Roslyn is the difference between Qantas gold and platinum or He always bought funeral insurance for all his boyfriends (both 2018). Sometimes the titles themselves are lengthy, self-contained narratives, with no apparent connection to the works to which they are attached. These lengthy interludes disrupt attempts to read specific meanings into the paintings themselves.

Interactive performance and installation remains an important part of Frank's career. In 1995, in lieu of showing paintings, the artist staged a disco—including fog machines and a mirror ball—at Roslyn Oxley9 Gallery in Sydney, and titled the exhibition Dale, I'm only dancing. For his 2018 installation Ghost Story at the same gallery, Frank covered the walls and ceilings in reflective Mylar fabric lit with LED lights and presented petri dishes containing his personal bacteria, which grew into a dangerous state in agar.

Dale Frank was the subject of a major retrospective at the Museum of Contemporary Art Australia, Sydney, in 2002. He was selected for the Biennale of Sydney in 1990 and 2010, and in 1984 he was included in the Aperto section of the Venice Biennale. His works are held in major private and public collections worldwide, including the Museum of Fine Arts, Boston; Kunsthaus, Zürich; and the Solomon R Guggenheim Museum in New York. In 2005, Frank was awarded the Arthur Guy Memorial Painting Prize from Bendigo Art Gallery.

Michael Crooks | Ocula | 2018

Dale Frank Featured Artworks

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Barry and Eric, The Horsley Drive, Wetherill Park by Dale Frank contemporary artwork painting
Dale Frank Barry and Eric, The Horsley Drive, Wetherill Park, 2022 Colour pigments in Epoxyglass, Epoxyglass on perspex
160 x 120 cm
Roslyn Oxley9 Gallery Contact Gallery
Agatha and Fatima, Bedgerabong Road, Forbes by Dale Frank contemporary artwork painting
Dale Frank Agatha and Fatima, Bedgerabong Road, Forbes, 2022 Colour pigments in Epoxyglass, Epoxyglass on perspex
160 x 120 cm
Roslyn Oxley9 Gallery Contact Gallery
Evelyn and Belinda, Mort Street, Surry Hills by Dale Frank contemporary artwork painting
Dale Frank Evelyn and Belinda, Mort Street, Surry Hills, 2022 Colour pigments in Epoxyglass, Epoxyglass on perspex
160 x 120 cm
Roslyn Oxley9 Gallery Contact Gallery
Colour pigments in Epoxyglass, Epoxyglass on perspex by Dale Frank contemporary artwork painting
Dale Frank Colour pigments in Epoxyglass, Epoxyglass on perspex, 2022 Colour pigments in Epoxyglass, Epoxyglass on perspex
200 x 150 cm
Roslyn Oxley9 Gallery Contact Gallery
Hairy Musso Gavin’s naked Sunday afternoons. 1. by Dale Frank contemporary artwork painting
Dale Frank Hairy Musso Gavin’s naked Sunday afternoons. 1., 2021 Interference colour pigments in epoxyglass, on perspex
150 x 100 cm
Pearl Lam Galleries Contact Gallery
AJ, Colin and Trent by Dale Frank contemporary artwork painting
Dale Frank AJ, Colin and Trent Interference colour pigments in easycast, epoxyglass, on perspex
200 x 150 cm
Pearl Lam Galleries Contact Gallery
Chinese landscape - sore succulents by Dale Frank contemporary artwork painting
Dale Frank Chinese landscape - sore succulents, 2015 Paint stripper acid on anodized perspex
200 x 200 cm
Pearl Lam Galleries Contact Gallery

Dale Frank Recent Exhibitions

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Dale Frank Represented By

Pearl Lam Galleries contemporary art gallery in Pedder Street, Hong Kong
Pearl Lam Galleries Hong Kong, Shanghai

Dale Frank In Ocula Magazine

In Ocula Advisory

Dale Frank In Related Press

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