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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Browse Artworks

His Personal Jesus, by Dale Frank contemporary artwork Dale FrankHis Personal Jesus,, 2018 varnish on perspex
200 x 150 cm
Roslyn Oxley9 Gallery
He could only sleep in stiff dirty soiled sodden bedsheets by Dale Frank contemporary artwork Dale FrankHe could only sleep in stiff dirty soiled sodden bedsheets, 2018 varnish and Epoxyglass on Perspex
200 x 150 cm
Roslyn Oxley9 Gallery
His pocket theatre cult took him far by Dale Frank contemporary artwork Dale FrankHis pocket theatre cult took him far, 2018 varnish and Epoxyglass on Perspex
200 x 150 cm
Roslyn Oxley9 Gallery
chemical assisted clarity - all I would recommend is Panadol by Dale Frank contemporary artwork Dale Frankchemical assisted clarity - all I would recommend is Panadol, 2018 Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
clear light on a bad day - Nambour by Dale Frank contemporary artwork Dale Frankclear light on a bad day - Nambour, 2018 Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
She always thought it was it just his imagination by Dale Frank contemporary artwork Dale FrankShe always thought it was it just his imagination, 2018 Varnish and epoxy glass on perspex
200 x 160 cm
Roslyn Oxley9 Gallery
https://www.youtube.com/channel/UCBjMl41n8JiYywxr25QJQjQ/videos by Dale Frank contemporary artwork Dale Frankhttps://www.youtube.com/channel/UCBjMl41n8JiYywxr25QJQjQ/videos, 2018 Varnish and epoxy glass on perspex
200 x 150 cm
Roslyn Oxley9 Gallery
Filling his hollow hours with platitudes by Dale Frank contemporary artwork Dale FrankFilling his hollow hours with platitudes, 2016 Varnishes on Perspex
160 x 120 x 5 cm
Pearl Lam Galleries
The deafening volume of his insatiable inabilities by Dale Frank contemporary artwork Dale FrankThe deafening volume of his insatiable inabilities, 2016 Varnishes on Perspex
160 x 120 x 5 cm
Pearl Lam Galleries
In French everyone was told they were having herring for dinner by Dale Frank contemporary artwork Dale FrankIn French everyone was told they were having herring for dinner, 2016 Colour resin in liquid glass on Perspex
200 x 150 x 6 cm
Pearl Lam Galleries
Goya by Dale Frank contemporary artwork Dale FrankGoya, 2017 HD video with stereo sound
Roslyn Oxley9 Gallery
Ghost Story by Dale Frank contemporary artwork Dale FrankGhost Story, 2018 Mylar fabric, powder coated steel, LED lighting to program, containing petri dishes, Artist's personal bacteria in agar in petri dishes on brass and glass coffee table plinths
230 x 300 x 450 cm
Roslyn Oxley9 Gallery
A portrait of Idi Amin, the new moon in Libra by Dale Frank contemporary artwork Dale FrankA portrait of Idi Amin, the new moon in Libra, 2018 Crepe paper Chinese 'Happy Wedding' streamer rolls in Epoxyglass on Perspex
200 x 150 cm
Roslyn Oxley9 Gallery
A portrait of the frustrated New Plymouth Artist's family jewels by Dale Frank contemporary artwork Dale FrankA portrait of the frustrated New Plymouth Artist's family jewels, 2016 vacuum formed rubber, Pacific Museel shells, human hair and Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
Munchintown 5 by Dale Frank contemporary artwork Dale FrankMunchintown 5, 2017 aluminium, silver, varnish and Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
Munchintown 4 by Dale Frank contemporary artwork Dale FrankMunchintown 4, 2017 aluminium, silver, varnish and Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
Munchintown 3 by Dale Frank contemporary artwork Dale FrankMunchintown 3, 2018 aluminium, silver, varnish and Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
Munchintown 2 by Dale Frank contemporary artwork Dale FrankMunchintown 2, 2017 aluminium, silver, varnish and Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
Munchintown 1 by Dale Frank contemporary artwork Dale FrankMunchintown 1, 2017 aluminium, silver, varnish and Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
He had a thing for elderly women by Dale Frank contemporary artwork Dale FrankHe had a thing for elderly women, 2018 spray enamel, glow in the dark Epoxyglass in Epoxyglass on Perspex
150 x 100 cm
Roslyn Oxley9 Gallery
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