Deborah Tarr’s oil paintings evoke serenity, balancing abstraction and figuration in their depiction of landscapes and moments in her life. Her emotionally resonant pieces have created a visual language that communicates the raw beauty of the natural world.
Deborah Tarr was born in Manchester in 1966. She studied painting at the Winchester School of Art, earning her BA in 1988.
Deborah Tarr is quoted as saying: “I keep faith in the power of art to be transformative and lift the spirit—that’s my basis. It is the crucible that brings people together.” Tarr’s landscapes and moments from her life blend figuration and abstraction to allow viewers a glimpse into the environments the artist occupies. Tarr has described the painting process as a “conundrum”, deciding what to remove, what to add and when to be restrained. Organic forms in oil paint characterise her work, her horizontal or vertical placement of colour suggesting terrain, sky or topography.
Deborah Tarr’s landscapes are inspired by the British countryside—for example, Cornwall and the Lake District. She also draws inspiration from American wilderness, particularly in Arizona and California.
Tarr’s gestural paintings blend abstraction and figuration, evoking landscape through shape, line and impasto swirls. She carefully balances colours, using both rich pigments and expressive tones in earthy reds, and darker blacks and greys. Frames are also important—some are reclaimed and restored antiques while others are custom-made.
Yes, some of Tarr’s artworks have humorous, wry titles. Examples include Pot Kettle Black (2019) and Fat Trees (2018)
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