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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Gert & Uwe Tobias

b. 1973, Romania

The Romian twin brothers draw on their Easter-European heritage to create canvases that border between folk-surrealism and geometric abstraction. Their works are often playful, largescale woodcut prints that play with pattern, domestic imagery and typography. The ensuing tableux feature figures, dismembered and splayed across the canvas. This macabre subject is seemingly anachronistic yet threads together themes from thoughout the history of art, including the tradition of vanitas, modernism and print-making itself.

Featured Artworks

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Ohne Titel/Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasOhne Titel/Untitled, 2019 Coloured woodcut on canvas
200 x 168 cm
Nils Stærk
Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasUntitled, 2016 Ceramic
64 x 43 x 28 cm
Nils Stærk
Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasUntitled, 2018 Typewriter drawing on paper
42 x 29.7 cm
Nils Stærk
Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasUntitled, 2019 Coloured woodcut on canvas
200 x 300 cm
Nils Stærk
Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasUntitled, 2019 Coloured woodcut on canvas
200 x 300 cm
Nils Stærk
Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasUntitled, 2019 Glazed ceramics
37 x 45 x 61 cm
Nils Stærk
Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasUntitled, 2019 Glazed ceramics
47 x 36 x 18 cm
Nils Stærk
Untitled by Gert & Uwe Tobias contemporary artwork
Gert & Uwe TobiasUntitled, 2019 Coloured woodcut on canvas
150 x 130 cm
Nils Stærk

Recent Exhibitions

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Contemporary art exhibition, Gert & Uwe Tobias, Ladder without tree at rodolphe janssen, Brussels
Closed
23 April–1 June 2019 Gert & Uwe Tobias Ladder without tree rodolphe janssen, Brussels
Contemporary art exhibition, Gert & Uwe Tobias, Enough Room To Swing A Cat at Nils Stærk, Copenhagen
Closed
23 March–11 May 2019 Gert & Uwe Tobias Enough Room To Swing A Cat Nils Stærk, Copenhagen
Contemporary art exhibition, Group Exhbition, The Secret of Things. Painted Pieces at Beck & Eggeling International Fine Art, Düsseldorf
Closed
16 November 2018–2 February 2019 Group Exhbition The Secret of Things. Painted Pieces Beck & Eggeling International Fine Art, Düsseldorf

Represented By

In Related Press

Preview: Art Brussels Related Press Preview: Art Brussels Elephant : 19 April 2017

'Art Brussels believes in galleries that support their artists throughout their evolution... We are definitely not interested in showing work in a supermarket-like style.' We speak with Anne Vierstraete, Managing Director of Art Brussels, as the fair nears its thirty-fifth edition.

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