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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Giulia Ricci

b. 1976, Italy

Giulia Ricci's finely detailed geometrical works use a variety of processes, hand-made and digital drawing, laser engraving, installation and video. Drawing underpins the artist’s practice across the various media. 

Drawing is a means of translating the experience of tactility into a visual image, as the artist create's a sense of texture through the use of a non-representational visual language. 

Featured Artworks

View All (14)
Orientation / Disorientation no.13 by Giulia Ricci contemporary artwork Giulia RicciOrientation / Disorientation no.13, 2016 Archival oil-based ink on paper, hand-made unique print made with rubber stamps
70 x 70 cm
Bartha Contemporary
Parallel Bend 51 by Giulia Ricci contemporary artwork Giulia RicciParallel Bend 51, 2018 Ink on paper
49.5 x 69.5 cm
Bartha Contemporary
Parallel Bend 53 by Giulia Ricci contemporary artwork Giulia RicciParallel Bend 53, 2018 Ink on paper
49.5 x 69.5 cm
Bartha Contemporary
Untitled (Portfolio of 9 prints) by Giulia Ricci contemporary artwork Giulia RicciUntitled (Portfolio of 9 prints), 2012 Archival pigment print on Hahnemühle photo rag 308gsm
55 x 55 cm
Bartha Contemporary
Order/Disruption Painting no.3 by Giulia Ricci contemporary artwork Giulia RicciOrder/Disruption Painting no.3, 2012 Laser engraved laminated board and acrylic paint, hand painted
25 x 25 x 1.8 cm
Bartha Contemporary
Order/Disruption Painting No.3 by Giulia Ricci contemporary artwork Giulia RicciOrder/Disruption Painting No.3, 2012 Laser engraved laminated board and acrylic paint, hand painted
25 x 25 x 1.8 cm
Bartha Contemporary
Order/Disruption Painting No.2 by Giulia Ricci contemporary artwork Giulia RicciOrder/Disruption Painting No.2, 2012 Laser engraved laminated board and acrylic paint, hand painted
61 x 101 x 1.8 cm
Bartha Contemporary
Skin I by Giulia Ricci contemporary artwork Giulia RicciSkin I, 2014 laser engraved dark blue leather
45.5 x 77 cm
Bartha Contemporary

Recent Exhibitions

Contemporary art exhibition, Group Exhibition, Tactile Line at Bartha Contemporary, London
Closed
19 July–22 September 2018 Group Exhibition Tactile Line Bartha Contemporary, London
Contemporary art exhibition, Sarah Chilvers, Giulia Ricci, Recent paintings and works on paper at Bartha Contemporary, London
Closed
18 March–7 May 2016 Sarah Chilvers, Giulia Ricci Recent paintings and works on paper Bartha Contemporary, London

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