INMA FEMENÍA

Inma Femenía’s work reflects on the way we perceive the world, increasingly conditioned by digital media.The “Digital” is understood as a medium that not only operates as a means of transmitting images, but also as alanguage with its own syntax and grammar that irredeemably modifies the appearance of form. It is from this vantagepoint that we need to position her artistic practice, digging into the digital “terrain” and piercing below pixels and lightvibrations.Her work deploys technological devices not so much for their function as broadcasters of reality, but rather to displaythe aesthetic possibilities of the “digital print” and the independent character of software.

CV

Inma Femenía (b. 1985, Pego, Spain) studied Fine Arts at the Universitat Politècnica de València (UPV).Femenía has presented solo exhibitions at Bombas Gens Centre d’Art (Valencia), Max Estrella (Madrid), and The Flat –Massimo Carasi (Milan), among others.Her work has been widely exhibited internationally, including presentations at IVAM (Valencia), Centre del Carmen(Valencia), Club Matador (Madrid), Casal Solleric (Palma), and exhibitions in Paris, Milan, Berlin, London, and Rome. Shehas developed site-specific and large-scale installations for institutions such as CaixaForum Valencia, IVAM, and GranTeatre del Liceu (Barcelona).Her work is held in public and private collections including Fundación “la Caixa”, DKV Collection, IVAM, GeneralitatValenciana, and other institutional and private collections internationally. She lives and works in Valencia, Spain.