INMA FEMENÍA

Inma Femenía’s work reflects on the way we perceive the world, increasingly conditioned by digital media.
The “Digital” is understood as a medium that not only operates as a means of transmitting images, but also as a language with its own syntax and grammar that irredeemably modifies the appearance of form. It is from this vantage point that we need to position her artistic practice, digging into the digital “terrain” and piercing below pixels and light vibrations. Her work deploys technological devices not so much for their function as broadcasters of reality, but rather to display the aesthetic possibilities of the “digital print” and the independent character of software.

CV

Inma Femenía (b. 1985, Pego, Spain) studied Fine Arts at the Universitat Politècnica de València (UPV). Femenía has presented solo exhibitions at Bombas Gens Centre d’Art (Valencia), Max Estrella (Madrid), and The Flat – Massimo Carasi (Milan), among others. Her work has been widely exhibited internationally, including presentations at IVAM (Valencia), Centre del Carmen (Valencia), Club Matador (Madrid), Casal Solleric (Palma), and exhibitions in Paris, Milan, Berlin, London, and Rome. She has developed site-specific and large-scale installations for institutions such as CaixaForum Valencia, IVAM, and Gran Teatre del Liceu (Barcelona). Her work is held in public and private collections including Fundación “la Caixa”, DKV Collection, IVAM, Generalitat Valenciana, and other institutional and private collections internationally. She lives and works in Valencia, Spain.

Courtesy Osnova gallery