José Arnaud-Bello’s interdisciplinary work develops from de construction of discreet connections between different fields of knowledge. Registering his projects in photographs, films, drawings and texts, the artist creates collections of documents in which aesthetic experience and poetic construction take on epistemological value. By way of methodical process of identifying, manipulating and classifying relatable contents, José Arnaud Bello elaborates a dense oeuvre that includes reference of architecture, conceptual art, sociology, epistemology, physics, economics and geology. Each of the artist`s projects, regardless of the medium used or specifics context to which it refers, is defined of the particular interest in the form in which the visual discourse is established and in the process through which situations and objects change – not only in the material sense, but also in the historical sense.
