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b. 1978, Iran

Kamrooz Aram Biography

Born in Shiraz, Iran in 1978, Kamrooz Aram received his MFA from Columbia University in 2003 and his BFA from the Maryland Institute College of Art in Baltimore in 2001. Recent solo shows include Negotiations at Perry Rubenstein Gallery, NY, Generation After Generation, Revolution after Revelation at LAXART, Los Angeles, CA and Kamrooz Aram: Realms and Reveries at the Massachusetts Museum of Contemporary Art, North Adams, Massachusetts. He has shown in several important groups shows including roundabout (2010), the Busan Biennale (2006), P.S.1/MoMA’s Greater New York 2005, and the Prague Biennale I (2003). His work has been featured and reviewed in the New York Times, Art in America, Artforum.com and Bidoun among others. He lives and works in Brooklyn, NY. 

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Born in Shiraz, Iran in 1978, Kamrooz Aram received his MFA from Columbia University in 2003 and his BFA from the Maryland Institute College of Art in Baltimore in 2001. Recent solo shows include Negotiations at Perry Rubenstein Gallery, NY, Generation After Generation, Revolution after Revelation at LAXART, Los Angeles, CA and Kamrooz Aram: Realms and Reveries at the Massachusetts Museum of Contemporary Art, North Adams, Massachusetts. He has shown in several important groups shows including roundabout (2010), the Busan Biennale (2006), P.S.1/MoMA’s Greater New York 2005, and the Prague Biennale I (2003). His work has been featured and reviewed in the New York Times, Art in America, Artforum.com and Bidoun among others. He lives and works in Brooklyn, NY. 

Kamrooz Aram Recent Exhibitions

Contemporary art exhibition, Group Exhibition, The Crime of Adolf Loos at Axel Vervoordt Gallery, Antwerp
Closed
16 March–25 May 2019 Group Exhibition The Crime of Adolf Loos Axel Vervoordt GalleryAntwerp

Kamrooz Aram In Related Press

An edgy art fair takes on Paris Related Press An edgy art fair takes on Paris 24 October 2016, The Wall Street Journal

It’s a Paris art-world tradition. Every so often, upstarts revolt and successfully take on the establishment. Think of the scandalous 1863 Salon des Réfusés, which included artists that had been rejected by the official Salon, including future greats Édouard Manet and James McNeill Whistler. Or take the impressionists, who shunned...

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