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LYGIA CLARK

LYGIA CLARK

1920-1988, Brazil
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Lygia Clark contemporary artist
Lygia Clark Pricing / Available Works
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Works at Gomide&Co

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Unidade Unit by Lygia Clark contemporary artwork painting
Lygia Clark Unidade [Unit], 1959-1984 Industrial paint on wood
30 x 30 x3.5 cm
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Bicho Pan-cubismo 3 by Lygia Clark contemporary artwork sculpture
Lygia Clark Bicho Pan-cubismo 3, 1969-1970 Aluminium
20 x 34 x34 cm
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Works Elsewhere

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Bicho invertebrado Invertebrate Critter by Lygia Clark contemporary artwork sculpture
Lygia Clark Bicho invertebrado [Invertebrate Critter], 1960 Metal
30 x 58 x22 cm
 Galatea Request Price & Availability
Study for Planos em Superficie Modulada by Lygia Clark contemporary artwork works on paper
Lygia Clark Study for Planos em Superfície Modulada, 1957 Cardboard collage
19.6 x 30.7 cm
 Baró Galeria Request Price & Availability
Study for Planos em Superficie Modulada by Lygia Clark contemporary artwork works on paper
Lygia Clark Study for Planos em Superfície Modulada, 1957 Cardboard collage
20.2 x 30.5 cm
 Baró Galeria Request Price & Availability
Study for Espaco Modulado by Lygia Clark contemporary artwork works on paper
Lygia Clark Study for Espaço Modulado, 1958 Cardboard collage
10.2 x 10 cm
 Baró Galeria Request Price & Availability
Study for Planos em Superficie Modulada by Lygia Clark contemporary artwork works on paper
Lygia Clark Study for Planos em Superfície Modulada, 1957 Cardboard collage
40 x 20 cm
 Baró Galeria Request Price & Availability
Study for Espaco Modulado by Lygia Clark contemporary artwork works on paper
Lygia Clark Study for Espaço Modulado, 1958 Cardboard collage
30 x 10 cm
 Baró Galeria Request Price & Availability
Estruturas de caixas de fosforos pretobranco by Lygia Clark contemporary artwork sculpture
Lygia Clark Estruturas de caixas de fósforos preto/branco, 1964 Gouache, matchboxes and glue
6 x 6 x8.5 cm
 Fortes D'Aloia & Gabriel Request Price & Availability
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Represented By

Baro Galeria contemporary art gallery in Palma Spain
Baró Galeria Paris +2 locations Follow +

Lygia Clark in Ocula Magazine

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Teo Hui Min on Tropical as Attitude
Conversation Teo Hui Min on 'Tropical' as Attitude Camila Belchior The National Gallery Singapore curator aligns artists from Southeast Asia and Latin America to reframe historic conceptions of ‘the Tropics’.
Brazils Home-Grown Talents at SP-Arte
Opinion Brazil's Home-Grown Talents at SP-Arte Rory Mitchell Spotting Brazil’s home‑grown talents, including Adriana Varejão, Sonia Gomes, OSGEMEOS, and Lygia Clark, at São Paulo’s SP‑Arte.
SP-Arte Artwork Selections
Spotlight SP-Arte: Artwork Selections We preview a selection of artworks at SP‑Arte by artists from South America spanning different generations and media.
Natalie Rudd on Breaking the Mould Sculpture by Women Since 1945
Conversation Natalie Rudd on Breaking the Mould: Sculpture by Women Since 1945 Tessa Moldan Natalie Rudd, Senior Curator of the Arts Council Collection, discusses the touring exhibition Breaking the Mould: Sculpture by Women Since 1945.
Latin American Art at OVR Miami Beach Editorial Selections
Spotlight Latin American Art at OVR Miami Beach: Editorial Selections Ocula Editors Ocula Magazine’s editors present their selections Latin American art to seek out at Art Basel OVR: Miami Beach.
Matthew Shieh A Family Collection
Conversation Matthew Shieh: A Family Collection Stephanie Bailey Matthew Shieh introduces his family collection and its development within the context of Taiwan’s arts landscape, which boasts a rich collecting culture.
Visions of Brazil Reimagining Modernity from Tarsila to Sonia
Spotlight Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Fawz Kabra ‘A rereading of Brazilian Modernism through the works of Brazilian artists working at different times throughout the 20th century to the present.’
Paulo Sergio Duarte on Antonio Dias
Conversation Paulo Sérgio Duarte on Antonio Dias Fawz Kabra It is important not to associate Dias’s work with the Pop Art movement, which was established in the United States. The use of cynical reason by artists from societies like the United States and that of artists from a poor country under a military dictatorship like Brazil at the time is very different.

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