Understanding the pictorial practice as an engine of reflective and analytical thought in combination with writing and drawing, Maíllo uses a technique similar to that of collage in his canvases, where different figurative and abstract elements are related to each other over a white or subtly vaporous background.
Based on the intersection between the different relationships between the contemporary life and the political, cultural and intimate aspects of it, in Maíllo’s works we find a strong presence of black lines made with oil markers that cross and condense the different compositional elements as a diagram or conceptual map, lines that translate and respond to the physiological reactions of the artist himself trying to address the complexity and pace of the contemporary world.
By means of an artistic process that is born from the frantic compulsion to draw non-stop to understand the present, Maíllo reworks and reinterprets images extracted from contemporary culture (cartoons, comics, video games or video clips), generating in turn a constant residue of ink on paper which is subsequently refined on a nightstand where, by means of tracing acting like a palimpsest, the complex definitive compositions of his works are completed.
The artist final act in front of the canvas overlaps different techniques from drippings and glazes, to baroque oil or acrylic grisailles, with superimposed spots of solid color varying from fluorescent to iridescent, previously digitally studied on his iPad, that try to achieve the feeling of virtual light color in works of diverse finishes and different bodies of work so retinally stimulating.
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