MICHELLE STUART

Throughout Stuart’s career photography has been a key element within her practice. In these works Stuart exploits photographs—that she has taken during her travels or in the studio as well as collected from archival sources - to create complex grid configurations. The grids articulate connections between images and places, and suggest grand narratives of journeys across time and space. Stuart has likened these works to ‘silent movies’. An inveterate traveller herself, these works encompass a range of loci from New York and Paris to the mountains of Machu Picchu and the oceans of Polynesia.

Since the early 1970s, Michelle Stuart has been included in Documenta 6, Kassel and biennials in both Asia and the Middle East. Recent important exhibitions include Michelle Stuart: Drawn From Nature at the Djanogly Art Gallery, Nottingham, the Parrish Art Museum, New York and Santa Barbara Museum of Art, 2013–14. She was included in the important survey exhibitions Afterimage: Drawing through Process, the Museum of Contemporary Art, Los Angeles and Contemporary Arts Museum, Houston,1999–2000; Ends of the Earth: Land Art to 1974, Museum of ContemporaryArt, Los Angeles and Haus der Kunst, Munich, 2012; Alice in Wonderlandat Tate Liverpool, 2012; and On Line: Drawing Through the TwentiethCentury at MoMA, New York, 2010.

Stuart’s work is in major museum collections internationally, including MoMA, New York, the Museum of Contemporary Art, Los Angeles, San Francisco Museum of Modern Art, the National Gallery of Art, Washington, the National Gallery of Australia, Canberra, Moderna Museet, Stockholm and the Los Angeles County Museum of Art. Both the Whitney Museum of American Art and the Metropolitan Museum of Art in New York recently acquired major works.