Nathaniel Mary Quinn Biography

Nathaniel Mary Quinn (b. 1977) creates hybrid, fractured portraits on paper and linen using charcoal, gouache, pastel, paint stick, and oil paint. His works are replete with art historical references to Cubism, Surrealism, Francis Bacon, and others, yet his process is also very personal, drawing from his memories, experiences, traumas, and family history growing up in Chicago’s Robert Taylor housing project. Nathaniel Mary Quinn balances the beautiful with the grotesque, the sinister with the benevolent, capturing the complexity of human emotion in a way that is individual and also representative of the human condition.

Nathaniel Mary Quinn has exhibited at galleries and institutions internationally. Recent solo exhibitions include Half Gallery, New York; Luce Gallery, Torino, Italy; M + B Gallery, Los Angeles; Rhona Hoffman Gallery, Chicago; Bunker 259 Gallery, Brooklyn; Pace Gallery, London, England; and the Museum of Contemporary African Diasporan Arts (MoCADA), Brooklyn, New York. He has also been featured in the group exhibitions at Artist Space, New York; The Bronx Museum of Arts; Albertz Benda, New York; Satori Gallery, New York; Susan-Inglett Gallery, New York; and Driscoll Babcock Gallery, New York; and in A Process Series | Here He Come: Black Jesus, curated by Jessamyn Fiore, Rawson Projects, New York. His work has been reviewed in numerous publications, including the New York Times, The Independent (London), AFROPUNK, the Chicago Reader, The Daily News, The New York Times, Huffington Post, and Time Out New York. He is the recipient of the Lorraine Hansberry Artistic, Performance, and Fine Arts Award and a two-time winner of the National Arts Club Prize. Quinn is included in the public collections of the Art Institute of Chicago, the Sheldon Museum of Art and the Whitney Museum of American Art, among others. Nathaniel Mary Quinn, a native of Chicago, received his BFA from Wabash College and his MFA from New York University. He currently lives and works in Brooklyn, NY.

Courtesy Almine Rech

Read More
Conversations
Humanity is not about perfection—we fall, we fail, we bleed, and sometimes we recover. That’s the story that interests me.
Read the Full Story

Recently Exhibited

Representative Artworks

Nathaniel Mary Quinn, C’mo’ and Walk with Me (2019) (detail). Charcoal, gouache, soft pastel, and oil pastel on Coventry vellum paper. 50 × 38 inches / 127 × 96.5 cm. © Nathaniel Mary Quinn. Photo: Rob McKeever.
View exhibition
Nathaniel Mary Quinn, Frog (2021). Oil paint, paint stick, oil pastel, soft pastel, black charcoal, and gouache on linen canvas. 35.6 x 55.9 cm. © Nathaniel Mary Quinn. Courtesy Gagosian. Photo: Rob McKeever.
View story
Nathaniel Mary Quinn, Sunshine (2022). Oil paint, black charcoal, oil pastel on linen canvas stretched over wood panel. 127 x 127 cm. © Nathaniel Mary Quinn. Courtesy the artist and Almine Rech. Photo: Nicolas Brasseur.
View story
Exhibition view: Nathaniel Mary Quinn, NOT FAR FROM HOME; STILL FAR AWAY, Gagosian, 980 Madison Avenue, New York (17 September–30 October 2021). © Nathaniel Mary Quinn. Courtesy Gagosian. Photo: Rob McKeever.
View exhibition
Nathaniel Mary Quinn, In The Valley (2021). Black charcoal, gouache, soft pastel on Coventry Vellum Paper 50.8 x 50.8 cm. Photo by Dan Bradica.
View story

Exhibition view: Nathaniel Mary Quinn, SCENES, Almine Rech, London (11 October–12 November 2022). Courtesy Almine Rech.


View exhibition

Represented By

Nathaniel Mary Quinn in Ocula Magazine

Explore and Follow Artists Shaping Contemporary Art

Loading...
The art world in focus