Slenitsch lives and works in Melbourne.
Read MoreWorking across drawing and sculpture, Nick Selenitsch adapts the aesthetics and motifs of games, sports and civic markings to create open-ended visual systems that flirt ambiguously with the rules and procedures of their source; the results of which are something akin to maps of play.
Recent solo exhibitions include Felt, Sutton Gallery, Melbourne, 2012; Structural Goals, Sutton Gallery, Melbourne, 2011; Movements, (with Arlo Mountford), RMIT Project Space, Melbourne, 2011; Linemarking, Y3K Gallery, Melbourne, 2010; and psychic income, Sutton Gallery, Melbourne, 2009.
Recent group exhibitions include: Melbourne Now, National Gallery of Victoria, Melbourne, 2013; Third/Fourth: Melbourne artist facilitated Biennial, Margaret Lawrence Gallery, University of Melbourne, 2013; Collage: The Heide Collection, Heide Museum of Modern Art, Melbourne, 2013; Onside, Casula Powerhouse, Sydney, 2013; Like Mike, Linden Centre for Contemporary Arts, Melbourne, 2013; Inside Running: The Sport of Art, Fremantle Arts Centre, 2013; Shifting Geometries, Embassy of Australia, Washington, DC, 2012; New Psychedelia, UQ Art Museum, Brisbane, 2011; gone in no time (gone in no time), Experimental Art Foundation, Adelaide, 2009; We Are Hidden and We Can See You, We Are Hidden and You Can See Us, Gertrude Contemporary, Melbourne, 2008; and 21st Century Modern, 2006 Adelaide Biennial of Australian Art, (as part of Slave), Art Gallery of South Australia, Adelaide, 2006.
