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b. 1966, South Korea

Koh San Keum Biography

Korean artist Koh San Keum transcribes texts from a broad range of sources into the visual language she has developed over a 30-year career. These texts are written in abstract patterns made from artificial pearls, beads, or fabric, with the linearity and spacing of the individual marks acting as the signifiers of a comprehensible written language. The literary content itself is reduced to coded visual values, and the artist's views and interpretations of the text are conveyed as a purely aesthetic response.

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Koh's interest in the texture and sensory aesthetic of written texts has led to works that are mistakable for Braille. The works stem from the artist experiencing temporary blindness due to stress while studying in New York in the 1990s; in the time before her sight was fully restored, when she would open a book words seemed like groups of shining pearls to her. From a distance, many of the artist's works appear to be aligned columns of written words, but close-up they materialise into abstract patterns, where each letter is an artificial pearl, bead, hole or piece of lacework. Her works deconstruct a range of texts, from lyrics and poetry to famous treatises and classic novels.

While such encoding forms the core methodology of Koh's artwork, she also experiments with and expands her materials and format. The ordered, linear composition and white, paper-like tones that simulate the Korean book form in works such as That Man That Woman (Song by Vibe) (2006) is exchanged for a more imaginative and vibrantly contrasting landscape in works such as Sam Il Po (Excerpt from Park Kyoung Lee novel) (2011). In the 'Memory Board' (2019) series and other artworks from the solo exhibition Infinite Tolerance (Gallery Baton, Seoul, 2019), the artist's references free the pearls from the square, straight structure of writing. Pearls are gathered in clusters that collapse the composition of articulated words into something that predates the text—perhaps sentences unformed in the writer's mind.

Koh has a BFA and MFA from Ewha Womans University, Seoul, and an additional MFA from Pratt Institute, New York. Her solo shows include Infinite Tolerance, Gallery Baton, Seoul (2019); Homage to You, Gallery SUN Contemporary, Seoul (2012); and Mist of signs three, The National Art Studio, Goyang (2007). Group exhibitions include With Weft, With Warp, Seoul Museum of Art (2018); From Trace to Artwork, Seoul National University Museum Of Art (2015); Creation and Parody, Jeju Museum of Art (2011); and The Shape of Time, Yeosu International Art Festival (2010). Her work features in public collections including Seoul Museum of Art and the National Museum of Modern and Contemporary Art, Korea. She has also received several awards.

Ocula | 2019

Koh San Keum Featured Artworks

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Memory Board 4 by Koh San Keum contemporary artwork
Koh San KeumMemory Board 4, 20194mm artificial pearl beads, adhesive, ballpoint pen on paper
114 x 83 cm (incl frame)
Gallery Baton Contact Gallery
Modern Boy by Koh San Keum contemporary artwork
Koh San KeumModern Boy, 2019-20204mm artificial pearl beads, adhesive, acrylic on wooden panel
34 x 26 cm
Gallery Baton Contact Gallery
The Dong-A Ilbo September 20, 1934, Section 9 & 10 by Koh San Keum contemporary artwork
Koh San KeumThe Dong-A Ilbo September 20, 1934, Section 9 & 10, 20194mm artificial pearl beads, adhesive, acrylic on wooden panel
60 x 87 cm
Gallery Baton Contact Gallery
Les Miserables 1 (Victor Hugo, Excerpt from Pp.1076-1107) by Koh San Keum contemporary artwork
Koh San KeumLes Miserables 1 (Victor Hugo, Excerpt from Pp.1076-1107), 20154mm artificial pearl beads, adhesive, acrylic on wooden panel
162 x 116 cm
Gallery Baton Contact Gallery
I have a dream (Song of ABBA) by Koh San Keum contemporary artwork
Koh San KeumI have a dream (Song of ABBA), 20194mm artificial pearl beads, adhesive, fabric on wooden panel
34 x 26 cm
Gallery Baton Contact Gallery
Poem by Hwang Jin-Yi by Koh San Keum contemporary artwork
Koh San KeumPoem by Hwang Jin-Yi, 20194mm artificial pearl beads, embroidery, adhesive on fabric
120 x 84 cm
Gallery Baton Contact Gallery
Text by Lee Si Young, Excerpt from Sehando JeChan (Written Impression) by Koh San Keum contemporary artwork
Koh San KeumText by Lee Si Young, Excerpt from Sehando JeChan (Written Impression), 2019Cotton yarn, fabric on wooden panel
59 x 67 cm
Gallery Baton Contact Gallery
That Man That Woman(Song by Vibe) by Koh San Keum contemporary artwork
Koh San KeumThat Man That Woman(Song by Vibe), 2006Cotton, yarn and calico
37 x 54 cm
Gallery Baton Contact Gallery

Koh San Keum Recent Exhibitions

Contemporary art exhibition, Koh San Keum, Infinite Tolerance at Gallery Baton, Seoul
Closed
30 August–2 October 2019 Koh San Keum Infinite Tolerance Gallery Baton, SeoulSeoul
Contemporary art exhibition, Koh San Keum, Hommage to you - Capital and Love at Gallery Baton, Seoul
Closed
2 June–2 July 2016 Koh San Keum Hommage to you - Capital and Love Gallery Baton, SeoulSeoul

Koh San Keum Represented By

Koh San Keum In Related Press

The Shows to See in Seoul This Weekend Related Press The Shows to See in Seoul This Weekend 27 September 2019, Frieze

A woman pulls an archer's bow at a dot painting. The arrow hits a white dot. She removes it before covering the dot with a square of white tissue paper. An action work by Soungui Kim, Ten thousand ugly ink dots (1982), is captured on video in the artist's first major retrospective in Seoul's National Museum of Modern and Contemporary Art (MMCA).

Fade out copy.
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