First published on 1 July 2017
Shezad Dawood in conversation with Nicolas Bourriaud
Continuing an interest in how we experience time, and more specifically how the past continues to echo into the present, Dawood uses the site of Kalimpong – a small town in West Bengal – as a bridge between the past and the present. This is achieved through a layering of narratives that link Buddhism, painting, textiles, animation, digital new media and historical and speculative narrative. The exhibition is constructed as a score that is informed by the questioning of the borders between virtual and material reality, and how that border becomes a contemporary expression of the border between figuration and abstraction, and between the Buddhist tradition of nirvana and of samsara (enlightenment and the world).