SUPERFLEX is an artists' group founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen. SUPERFLEX describe their projects as Tools. A tool is a model or proposal that can actively be used and further utilized and modified by the user.
Read MoreThrough their projects engaging with alternative models for the creation, dissemination and maintenance of social and economic organisation – such as Copyshop, Guaraná Power, Rebranding Denmark and Free Beer – Superflex have become involved in legal disputes, as well as suffered prohibition orders and police raids, relating to their artistic use of commercial signs and symbols. However, finding that the restrictions placed on their work sometimes led to unexpectedly interesting results, Superflex began to explore the productive potential of prohibition and conceived a series of projects structured to impose regulations on others.
Superflex has gained international recognition for their projects. They have had solo exhibitions, among others, at the Kunsthalle Basel in Switzerland (Supershow — more than a show), GFZK in Leipzig, Germany (Social Pudding in collaboration with Rirkrit Tiravanija), Schirn Kunsthalle in Frankfurt am Main (Open market), the REDCAT Gallery in Los Angeles (Guarana Power), Mori Museum in Tokyo, Gallery 1301PE in Los Angeles and the Hirshhorn Museum and Sculpture Garden. Superflex has participated in international arts biennials such as the Gwangju biennial in Korea, Istanbul Biennial, São Paulo Biennial, Shanghai Biennial and in the "Utopia Station" exhibition at the Venice Biennale. They contributed to the exhibition Rethink Kakotopia shown at the Nikolaj Centre of Contemporary Art in Copenhagen 2009 and at Tensta Konsthall 2010.
Photo: Nikolai Howalt
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Related Press Superflex uses art to figure out a changing world: Danish art collective illustrates social issues in accessible ways 21 August 2019, Korea JoongAng Daily Visitors to Kukje Gallery's Busan branch will encounter three sculptures that look like blue pipes with curves and corners. The first stands low and has smooth curves, while the second one stands higher with sharp corners and the third is even higher with even sharper corners.
Related Press 'The Garden—End of Times; Beginning of Times' 10 July 2017, Art Agenda The inaugural ARoS Triennial, The Garden—End of Times; Beginning of Times, opened in Aarhus, 2017's European Capital of Culture, on the morning that Donald Trump stood in the White House garden and announced his plans to withdraw the US from the Paris Agreement. ARoS's director, Erlend Høyersten, promises that this exhibition 'will...
