GROUP EXHIBITION

A glitch can be understood as a malfunction, an irregularity, or an error, beyond just a website crash, a file deletion, or an iCloud document refusing to load. Usually temporary, and sometimes expected, it is momentary reminder of our lack of control. This brief interruption is frustrating and inefficient, but maybe necessarya pause that allows us to realize technology’s promise to us is sometimes broken. Rather than working with us, it goes against us. Our effort to push technology forward and our desire for its constant improvement is not a mutual exchange. Technology owes us nothing.

The work in this exhibition addresses this lack of reciprocity and reminds us of its consequences. Petra Cortright interferes with the system of painting through her digitized strokes; Blake Rayne’s work tests how painting is responding to shifts in perceptual regimes, labor conditions, and temporal paradigms; Simryn Gill’s wordplay changes intended meaning and takes away context; SUPERFLEX’s large-scale mural points to asymmetric access to data and to the right of all people to information; Keaton Macon’s audio tapes alter the system of sound, changing its resonance according to where its recorded, and then played; the Concinnitas series finds a form of beauty derived from harmony in numbers and proportion. Glitch, in its brief pause, creates a space for this reflection.

1301PE is part of PST ART as a Gallery Program Participant. Returning in September 2024 with its latest edition, PST ART: Art & Science Collide, this landmark regional event explores the intersections of art and science, both past and present. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit pst.art.