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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Takashi Hara

b. 1983, Japan

Takashi first understudied the prominent artist Koshin Soeda in Japenese calligraphy in Tokyo later moving on to achieve a Bachelor of Fine Arts Double Major in Painting and Ceramics at the University of Regina, Canada and graduating with a Master of Fine Arts in Ceramics at the Arizona state University in 2015. Having succesful produced a number of exhibtions, commercial projects and artist in residencies internationally he now lives and works in his home City Tokyo

Featured Artworks

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I am at where I am by Takashi Hara contemporary artwork Takashi HaraI am at where I am, 2018 Acrylic on canvas
130 x 110 cm
A2Z Art Gallery
Immigration Song—A Letter by Takashi Hara contemporary artwork Takashi HaraImmigration Song—A Letter, 2018 Acrylic on wood
53 x 45 cm
A2Z Art Gallery
Fire Within by Takashi Hara contemporary artwork Takashi HaraFire Within, 2019 Acrylic on canvas
150 x 150 cm
A2Z Art Gallery
Elements by Takashi Hara contemporary artwork Takashi HaraElements, 2019 Acrylic on canvas
150 x 150 cm
A2Z Art Gallery
Emergence by Takashi Hara contemporary artwork Takashi HaraEmergence, 2019 Acrylic on canvas
150 x 150 cm
A2Z Art Gallery
One by One by Takashi Hara contemporary artwork Takashi HaraOne by One, 2018 Acrylic on wood
30 x 42 cm
A2Z Art Gallery
Empty Vein by Takashi Hara contemporary artwork Takashi HaraEmpty Vein, 2018 Acrylic on canvas
135 x 100 cm
A2Z Art Gallery
Don't Stop in the Middle by Takashi Hara contemporary artwork Takashi HaraDon't Stop in the Middle, 2019 Acrylic on canvas
130 x 95 cm
A2Z Art Gallery

Recent Exhibitions

Contemporary art exhibition, Takashi Hara, PigNation—A Story of Humanity at A2Z Art Gallery, Paris
Closed
26 January–23 February 2019 Takashi Hara PigNation—A Story of Humanity A2Z Art Gallery, Paris
Contemporary art exhibition, Takashi Hara, PigNation—A story of Humanity at A2Z Art Gallery, Hong Kong
Closed
12 January–17 February 2019 Takashi Hara PigNation—A story of Humanity A2Z Art Gallery, Hong Kong
Contemporary art exhibition, Group Exhibition, Les faits de fin d'année at A2Z Art Gallery, Paris
Closed
20 December 2018–12 January 2019 Group Exhibition Les faits de fin d'année A2Z Art Gallery, Paris

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