Zhang Jianjun (b.1955, Shanghai) is an abstract artist preoccupied by the themes of existence, time, space, and transformation, and their effects on individuals and culture. He began to pursue abstract painting in the 1980s, with the Chinese ink and mixed media paintings from his 1985 Existence series typifying the ‘rationalistic painting’ of the Chinese avant-garde movement. He gained recognition for the oil painting Human Beings with Their Clock (1986), depicting human confrontation with the limitations of existence within the space and time continuum. Zhang furthered his studies in the United States in the 1990s and has since shifted his focus to installation art and an exploration of cultural differences between East and West. This work from his elemental ink series experiments with Chinese ink and the elements of fire, water and wood (rice paper). As an ink painter, ink could arguably constitute the fourth element of air, as the life (breath) of an artist is inextricably linked to his practice.
Zhang graduated from the Shanghai Theatre Academy’s Department of Fine Arts in 1978 and received the ACC Visual Arts Fellowship in 1987. Currently, Zhang is a professor at New York University and divides his time between Shanghai and the US. Zhang Jianjun has held solo exhibitions in New York, Germany, Japan, Singapore, and China, including at the Shanghai Art Museum, Harvard University, Guangdong Museum of Art, and Pace Prints in New York. Group exhibitions include Ink Worlds at the Cantor Arts Center, Stanford University (2018); Ink Art: Past as Present in Contemporary China (2013), The Metropolitan Museum of Art, New York; Flowing River: 30 Years of Chinese Oil Painting (2005), National Art Museum of China, Beijing; International Arts Festival Dusseldorf (1995); and ‘83 Experimental Painting Exhibition (1983), Fudan University, Shanghai. His work is included in major collections such as the Brooklyn Museum, New York; San Francisco Asian Art Museum, California; M+ Museum, Hong Kong; Guangdong Museum of Art, China; Shanghai Art Museum, China; and Yuz Museum, Shanghai, China.
Courtesy Alisan Fine Arts

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services