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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Hans Arp

(1886 - 1966), France

Hans Arp is a familiar figure of classical Modernism and was a key contributor in the development of Dada and Surrealism in the early twentieth century. Focusing his attention on everyday objects, Arp created his own unique 'object language' using a nonsensical vocabulary: plate, fork, knife, clock, tie, moustache, lips, breasts. With a playful hand he juggled the dominant art currents of the early twentieth century, combining seemingly contradictory geometric and organic formal idioms with the artistic '-isms' of his epoch.

Turning his back on the increasingly modernised turn-of-the-century society, Arp created biomorphic works whose organic, amoeboid forms highlighted his fascination with the physiological processes of procreation, growth and death, and counteracted the rectilinear structures of Cubism. Arp studied the mineral, vegetable, and animal worlds for inspiration, documenting the evolution of an imaginary world. Combined with his late bronze sculptures from the 1950s, these works sought to give form to natural forces - clotting, hardening, congealing and fusing - all of which were symbols of eternal cycles in nature for Arp.

Born in Strasbourg, France in 1886 Arp was raised bilingual, French and German, and additionally Alsatian, which was fundamental for his work. After studying at Ecole des Arts et Metiers, Kunstschule Weimar and Académie Julian, Paris he co-founded the Swiss Artists association 'Der Moderne Bund' and the Dada movement in Zurich. Arp participated the first Surrealist exhibition in 1925 in Paris alongside Klee, Picasso and many others. In the 1930s, the Zurich-based art historian Carola Giedion-Welcker recognised the relevance of Arp's vision of nature, and saw in his works the 'invisible made visible, the search for a visual language capable of capturing the spiritual realms beyond the world of appearances.' Arp's innovative and influential practice prefigured the Fluxus movement, inspired artists such as Anthony Caro and Joan Miró, and made way for the great contemporary performance artists.

His first major solo exhibition in the USA was shown in 1949. Arp was awarded the Grand Prize for Sculpture at the Venice Biennale in 1954. In the 1960s he received the Stephan Lochner Medal, the GrandPrix National des Arts and the German Federal Cross of Merit. The first Arp retrospective was shown at the Museum of Modern Art in New York in 1958. Although his later practice is often overlooked, Arp continued producing sculpture and poetry in a continuation of the Dada tradition until his death in 1966, during which time he built up an incredible body of work.

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Featured Artworks

Vasentorso / Torse-vase (Vase-Torso) by Hans Arp contemporary artwork Hans ArpVasentorso / Torse-vase (Vase-Torso), 1963/2012 Bronze
76.2 x 15 x 9 cm
Hauser & Wirth

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