即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
The idea of a national art gallery to germinate and bear fruit was first mooted in 1949. It was nurtured carefully by Prime Minister Jawahar Lal Nehru and Maulana Azad, sensitive bureaucrats like Humayun Kabir and an active art community. Vice-president Dr S Radhakrishanan formally inaugurated the NGMA in the presence of Prime Minister Jawaharlal Nehru and artists and art lovers of the city on March 29, 1954. The choice of Jaipur House, one of the premier edifices of Lutyens’ Delhi, signified the envisaged high profile of the institution. Designed by Sir Arthur Bloomfield, as a residence for the Maharaja of Jaipur, the butterfly-shaped building with a central dome was built in 1936. It was styled after a concept of the Central Hexagon visualised by Sir Edwin Lutyens. It was Lutyens, along with Herbert Baker, who visualised and gave shape to the new capital in Delhi. Along with buildings designed for other princely potentates like Bikaner and Hyderabad, Jaipur House girded the India Gate circle. The famous architect conceptualised a harmony of facades giving the buildings a distinctive character.
NGMA’s inauguration was marked by an exhibition of sculptures. All the prominent sculptors of the time like Debi Prasad Roy Chowdhury, Ramkinkar Baij, Sankho Chaudhuri, Dhanraj Bhagat, Sarbari Roy Chowdhury and others had participated. The show spoke of the painstaking preparations made by NGMA’s first curator Herman Goetz. A noted German art historian, Goetz had earlier been responsible for setting up the Baroda Museum.Since Goetz’s tenure, NGMA has had a string of distinguished directors.
The Gallery is the premier institution of its kind in India. It is run and administered as a subordinate office to the Department of Culture, Government of India. The NGMA has two branches one at Mumbai and the other at Bangaluru shortly. The gallery is a repository of the cultural ethos of the country and showcases the changing art forms through the passage of the last hundred and fifty years starting from about 1857 in the field of Visual and Plastic arts. Notwithstanding some gaps and some trivia, the NGMA collection today is undeniably the most significant collection of modern and contemporary art in the country today.
The foremost responsibility of the National Gallery of Modern Art is to ensure quality and to set and maintain standards of excellence. The aesthetic and educational purposes are not only defined in the aims and objectives of the National Gallery of Modern Art, but efforts are also being made so that they become implicit in its organization and pervade all its activities.
Above all, the National Gallery of Modern Art helps people to look at the works of modern art with greater joy, understanding and knowledge by extending their relationship with our daily life and experiencing them as vital expressions of the human spirit.
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