Christopher Page Plays Tricks with Pictorial Space at Ben Hunter

Christopher Page Plays Tricks with Pictorial Space at Ben Hunter
Christopher Page Plays Tricks with Pictorial Space at Ben Hunter

Exhibition view: Christopher Page, Shadows & Reflections, Ben Hunter, London (7 October–11 November 2021). Courtesy Ben Hunter.

Christopher Page Plays Tricks with Pictorial Space at Ben Hunter

Exhibition view: Christopher Page, Shadows & Reflections, Ben Hunter, London (7 October–11 November 2021). Courtesy Ben Hunter.

Christopher Page Plays Tricks with Pictorial Space at Ben Hunter

Exhibition view: Christopher Page, Shadows & Reflections, Ben Hunter, London (7 October–11 November 2021). Courtesy Ben Hunter.

By Rory Mitchell – 20 October 2021, London

Christopher Page’s Interior, Fading Light (2021) appears to reflect the sunlight glowing through the panelled window of Ben Hunter, a gallery in London.

On closer inspection you’ll notice the painting is not framed, but entirely flat—painted directly onto the canvas.

Through subtle variations of light, Page’s canvases—masquerading as three-dimensional and multi-textured plains—are striking evocations of the ancient ‘trompe l’oeil’ technique, in a bid to reimagine pictorial and architectural space. ⁠⁠⁠⁠

Christopher Page, who received his MFA from Yale School of Art in 2011, is the subject of a solo exhibition entitled Shadows & Reflections at Ben Hunter, running until 11 November.⁠⁠⁠⁠

Main image: Exhibition view: Christopher Page, Shadows & Reflections, Ben Hunter, London (7 October–11 November 2021). Courtesy Ben Hunter.
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