
Alisan Fine Arts is honoured to present our second solo exhibition of Fang Zhaoling (1914–2006), one of the most important female artists of the twentieth century, as part of the gallery’s 45th anniversary celebration highlighting the ‘Then and Now’. Fang studied under Zhang Daqian (1899–1983), a towering master of modern ink art, and also apprenticed with Zhao Shao-ang (1905–1998), a leading representative of the second generation of the Lingnan School. Inspired by these predecessors, Fang developed a highly individual freehand language— approaching Abstract Expressionism in its vigour—across a wide range of subjects.
The exhibition will present over twenty works from the height of Fang’s career (1970s–1990s), including landscapes, bird-and-flower paintings, figures, animals and calligraphy, most being shown for the first time. In Fang’s hands, traditional subjects become vehicles for lived experience and collective memory: climbers ascending famous mountains, the rising sun, and communities dwelling in cave homes along the Yellow River evoke her enduring love for her homeland and an indomitable, forward-looking spirit. Her brush-and-ink are rich and forceful; her simplified, emblematic figures became a signature of her mature style, resonant with the tumult and renewal of the twentieth century. These works remain faithful to the literati lineage while, through their attention to contemporary life and environment, achieve a compelling contemporaneity.











Born to a scholarly family in the city of Wuxi, Jiangsu Province, China in 1914, Fang Zhaoling was a precocious child with strong interests in Chinese calligraphy. She studied bird-and-flower painting under Chen Jiucun and landscape painting under Qian Songyan while at Wuxi Art College. When she was nineteen, she participated in the “White Wave Art Society” exhibition in Wuxi. Her talent and knowledge of Chinese ink art was evident even at a young age. By 1950, she had immigrated to Hong Kong and was a student of Zhao Shao’ang, a leading proponent of the second generation of the Lingnan School. Under his guidance, she produced primarily bird-and-flower paintings. By 1953, she had become a student of the renowned painter Zhang Daqian, canonical artist of twentieth century Chinese ink painting. During the 1960s, she studied paintings by Wu Changshuo and Qi Baishi in great detail, learning to use their free style method of cursive calligraphy to create paintings. During the 1960s-70s she joined Zhang in Brazil and California, painting with him and participating in several overseas exhibitions. She passed away in 2006.




Co-founded in the 1980s by Alice King, Alisan Fine Arts is Hong Kong’s longest-standing contemporary gallery, celebrated for its trailblazing promotion of Chinese contemporary art and New Ink art. The gallery has consistently championed artists from the Greater China region and Chinese diaspora, making an impact on cross-cultural dialogues and global appreciation of diverse artistic expressions.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services