
From April 7 to 27, Alzueta Gallery Madrid is pleased to present Casi sin darnos cuenta, by artist Justine Franco. The exhibition, marking the Mallorcan artist’s debut at the gallery, brings together her most recent body of work.
Franco’s practice inhabits the intersection between memory, identity, and collective imagination. Her scenes are constructed from personal visions and fragments of cultural memory, which the artist reworks through an intuitive process of layering and reconstruction. The result is a series of figures that feel familiar and, at the same time, Anonymous, presences that inhabit a space halfway between the personal and the archetypal.
In Casi sin darnos cuenta, Justine Franco explores everyday gestures and moments that transform into small acts of intimacy: an embrace, an offered flower, a shared wait. These scenes do not depict concrete stories or episodes; instead, they evoke affections, daily rituals, and memories that form part of a shared identity. With a pictorial language of simplified forms and a precise attention to objects, the artist constructs a serene, slightly suspended world in which each gesture acquires a quiet intensity. In her works, Franco distills what the eye captures, reclaiming ornamentation as a site of emotional resonance and as a generative agent of meaning.
The figures move within a territory where the individual and the collective intertwine. They are not portraits, but presences that evoke emotions, connections, and relationships, recognizable more for what they propose than for their concrete features. Between memory and imagination, Franco’s scenes gesture toward open-ended narratives that speak of friendship, love, care, and those fleeting moments that pass almost unnoticed as they unfold. Moments that, so often, we only recognize later, almost without realizing it.





Justine Franco’s work inhabits at the intersection of memory, identity, and collective imagination. Her pieces arise from personal visions and fragments of cultural memory, drawing both from her Spanish heritage and from global visual currents. These images undergo an intuitive process of layering, reconstruction, and sublimation, transforming into figures that feel familiar yet impersonal, unclassifiable and nonetheless understandable. The resulting figures are not portraits, but robust presences that inhabit that space halfway between the personal and the archetypal. With a flat, colorful style and simplified forms, Franco distills what the eye captures, reclaiming the ornamental as a place of emotional resonance and as a generative agent of meaning.





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