JIM HODGES

Hodges’ work explores themes of fragility, temporality, love and death in a highly original and poetic vocabulary. He frequently deploys different materials and techniques: from ready-made objects to traditional media such as graphite and ink. Often disarmingly simple or executed with minimal means, Hodges’ works express a sentiment of deeply felt experience and encourage a visceral and communal response. Whether working in materials such as curtains woven from artificial silk flowers, metal chains, glass, or using saliva to create ink transfer impressions on paper, Hodges’ works are inhabited by the presence of the body. Incorporated in his choice of media and articulated in text and image is a narrative of human experience, one of life and death and of the proximity of contingency that affects us all.

Drawing has remained a primary activity for the artist since the late eighties. The practice is diaristic - observing the passage of time and documenting the intensely personal, the mundane and the overlooked. Hodges has stated: “It always starts inside my body, and I use drawing as a way of getting it out”.