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Chambers Fine Art
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Participated At

ASIA NOW Paris 2019Booth A108

Selected Works Press Release
500 Brushstrokes #31 五百笔 #31 by Wu Jian'an contemporary artwork works on paper
Wu Jian'an 500 Brushstrokes #31 五百笔 #31, 2017 Ink, watercolour, paper cut and collage on Xuan paper
150 x 180 cm
Chambers Fine Art Contact Gallery
Insect No. 3 虫3 by Guo Hongwei contemporary artwork print
Guo Hongwei Insect No. 3 虫3, 2011 Watercolour on paper
101 x 67 cm
Chambers Fine Art Contact Gallery
Lake Surface #4 by Yan Shanchun contemporary artwork painting
Yan Shanchun Lake Surface #4, 2014 Acrylic and mixed media on canvas
167 x 96 cm
Chambers Fine Art Contact Gallery
Open Kimono 敞开的和服 by Pixy Liao contemporary artwork print
Pixy Liao Open Kimono 敞开的和服, 2018 Digital C-print
50.5 x 40.5 cm
Chambers Fine Art Contact Gallery

Chambers Fine Art is pleased to present recent works by Fu Xiaotong, Guo Hongwei, Pixy Liao, Wu Jian'an and Yan Shanchun. Widely different in background and approach, the five artists are representative of the stylistic diversity of contemporary Chinese art today.

Yan Shanchun is the senior artist in the group and the most indebted to the thematic content of traditional Chinese art, although his paintings hover on the edge of abstraction. In contrast, Guo Hongwei's watercolours and oil paintings depict physical objects from both the natural as well as man-made world.

Wu Jian'an is represented by his latest virtuosic collage series, 500 Brushstrokes, in which hundreds of overlapping ink and watercolour brushstrokes are individually cut out and arranged to create a vibrant, kinetic composition. Fu Xiaotong's process is no less impressive: she uses a needle to perforate sheets of hand-made xuan paper until landscape images emerge from her carefully orchestrated excavation of the surface of the paper.

Born in Shanghai, China, Pixy Liao is best known for her photography series 'Experimental Relationship', in which Liao creates various intimate, playful, and witty tableaux that often place her in a position of power over her husband Moro, in a subtle reversal of gender roles.

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