Erin Jane Nelson is an American contemporary artist whose materially layered photographs, textiles, and ceramics examine ecological precarity, regional histories, and intimate relationships through a distinctly feminist lens.
Raised in the American South, Erin Jane Nelson has described her attachment to the region as both formative and fraught, shaping the way she thinks about landscape, history, and belonging. She received her BFA from The Cooper Union in New York in 2011, a context that consolidated her interest in photography and experimental image-making.
After graduating, Nelson spent time in New Mexico and California, where she immersed herself in ceramics, quilting, and weaving, gravitating toward so-called craft processes that would become central to her work. She later based her practice in Atlanta, balancing her studio work with roles in curating photography and folk and self-taught art, and co-founding the project space Species in 2016.
Nelson now lives and works in Santa Fe, New Mexico, while continuing to draw on the cultures, ecosystems, and politics of the American South as a major locus for her artworks.
Erin Jane Nelson’s artworks begin with a personal archive of found and original photographs, which she prints onto supports including quilted textiles, silk, hand-sewn panels, and ceramic forms. Through layered construction and collage, she stages speculative worlds that hold together humour, unease, and grief in response to climate crisis and social change.
Erin Jane Nelson frequently addresses the degradation of specific ecosystems, especially coastal wetlands and Southern barrier islands, fusing local histories with imagined marine life and science-fiction narratives. Multidisciplinary works combine photography with quilting, embroidery, and ceramics, sometimes rendering creatures or micro-organisms whose fragile bodies register warming seas, pollution, and interspecies entanglement.
Her use of craft traditions—dyed and bleached fabrics, hand-pieced quilts, hand-built clay—connects domestic labour and vernacular making with larger environmental and economic systems. The resulting objects often appear eroded, burned, or punctured, foregrounding destruction as both a formal strategy and a way to process anxiety about ecological futures.
Alongside environmental themes, Nelson has developed bodies of work that explore formative relationships, maternal influence, and the psychological textures of care and addiction. In one series presented at Art Basel with Chapter NY, she built upholstered panels from Rorschach-like silhouettes, wrapping them in found fabrics and photographic prints to evoke testing, diagnosis, and intergenerational trauma.
Throughout her practice, Nelson’s photographic surfaces are often partially obscured or disrupted, complicating legibility and inviting viewers to navigate overlapping narratives. This layering of images, textures, and references enables her to hold together subjectivity, distance, sympathy, and exclusion without resolving their tensions.
Nelson has presented solo exhibitions at institutions and galleries including the Museum of Contemporary Art of Georgia, Atlanta Contemporary, Chapter NY, New York, DOCUMENT, Chicago, and other project spaces in the United States and Europe. Her work has featured in major group exhibitions at the Whitney Museum of American Art, New York; Carnegie Museum of Art, Pittsburgh; Aspen Art Museum, Aspen; Pinakothek der Moderne, Munich; and the New Museum Triennial, New York, among others.
In 2023, Nelson received a Guggenheim Fellowship in the Creative Arts, recognising the ambition of her materially inventive approach to contemporary art and her sustained engagement with climate and social realities. Her work is held in institutional and private collections, including European collections such as Fondation Villa Datris, which emphasise her contribution to contemporary sculpture informed by ecological thinking.
Erin Jane Nelson is an American contemporary artist born in Neenah, Wisconsin in 1989, known for merging photography, textiles, and ceramics to explore ecology, memory, and relationships.
Erin Jane Nelson lives and works in Santa Fe, New Mexico, while maintaining strong ties to the American South, where she grew up and has long focused her photographic research and exhibition activity.
Erin Jane Nelson creates mixed-media artworks that begin with photographic imagery and extend into quilted textiles, upholstered panels, and ceramic forms, often addressing climate change, coastal environments, and personal narratives from a feminist perspective.
Erin Jane Nelson earned her Bachelor of Fine Arts from The Cooper Union in New York in 2011, a training that underpins her experimental approach to photography and material processes.
Key themes in Erin Jane Nelson’s work include the psychological impact of the climate crisis, the histories and futures of Southern ecosystems, intergenerational relationships, craft and domestic labour, and the instability of images in an information-saturated world.
Erin Jane Nelson is a recipient of a Guggenheim Fellowship in the Creative Arts, awarded in 2023, recognising her contribution to contemporary art.
Erin Jane Nelson artworks have been shown in institutions such as the Whitney Museum of American Art, the New Museum, Carnegie Museum of Art, Aspen Art Museum, and Pinakothek der Moderne, as well as in solo and group shows at Chapter NY, DOCUMENT, Atlanta Contemporary, and other galleries.
Ocula | 2026

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services