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Marcel Dzama's work is inhabited by an expansive cast of recurring human, animal, and hybrid characters. The artist has developed an immediately recognisable visual language that penetratingly explores human action and motivation, often by means of the violent, erotic, grotesque, and absurd. His practice unleashes a universe of childhood fantasies and otherworldly fairy tales, drawing equally from folk vernacular as from artistic influences such as Dada and Marcel Duchamp.Read More
Dzama was born in 1974 in Winnipeg, Canada, where he received his B.F.A. in 1997 from the University of Manitoba. Since 1998, his work has been represented by David Zwirner. The artist has had eight gallery solo exhibitions, including Puppets, Pawns, and Prophets which was his ﬁrst presentation at the London location in 2013 and was accompanied by a fully illustrated catalogue co-published by Hatje Cantz, with an essay by Deborah Solomon. In 2014, David Zwirner presented a solo exhibition of Dzama’s work at the gallery in New York, which marked the United States debut of his film Une danse des bouffons (or A jester’s dance). In 2016, the gallery held two exhibitions in New York and London dedicated to the collaborative works by Dzama and Raymond Pettibon.
The New York City Ballet’s The Most Incredible Thing, a performance based on Hans Christian Andersen’s fairy tale for which Dzama created the costume and stage design (choreographed by Justin Peck; music by Bryce Dessner), premiered in February 2016. Coinciding with the performance, Dzama created an installation in the Promenade of the David H. Koch Theatre as part of the New York City Ballet Art Series, titled The tension around which history is built.
Since the late 1990s, Dzama has exhibited widely in solo and group presentations throughout the United States and abroad. Earlier this year, the solo exhibition Ya es hora was presented at Galería Helga de Alvear in Madrid and A Jester’s Dance was shown at University of Michigan Museum of Art in Ann Arbor, Michigan. In 2017, La Casa Encendida in Madrid exhibited Drawing on a Revolution, a solo show of the artist’s work (through January 7, 2018). In 2015, the artist’s film Une danse des bouffons (or A jester’s dance) was presented alongside related two- and three-dimensional work in a solo show at the World Chess Hall of Fame in St. Louis. In 2010, a major survey of the artist's work was held at the Musée d’art contemporain de Montréal in Montreal. Other recent solo exhibitions include those organised by Kunstmuseum Thun, Switzerland (2014); Galería Helga de Alvear, Madrid (2013); Centro de Arte Contemporáneo de Málaga, Spain; Museo de Arte de Zapopan (MAZ), Zapopan, Mexico; World Chess Hall of Fame and Museum, St. Louis (all 2012); Gemeentemuseum, The Hague; Kunstverein Braunschweig, Germany (both 2011); Pinakothek der Moderne, Munich (2008); Ikon Gallery, Birmingham, England (2006); and Le Magasin – Centre National d’Art Contemporain de Grenoble, France (2005).
In 2013, Abrams published the first comprehensive monograph of the artist’s work, titled Marcel Dzama: Sower of Discord. Produced and designed in collaboration with the artist, it features contributions by Bradley Bailey, Dave Eggers, Spike Jonze, and Raymond Pettibon.
Work by the artist is held in museum collections worldwide, including the Corcoran Gallery of Art, Washington, DC; Dallas Museum of Art; Musée d’art contemporain de Montréal; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, New York; Tate Gallery, London; and the Vancouver Art Gallery. Dzama lives and works in Brooklyn, New York.
Text courtesy David Zwirner.
'Be what you want to be,' Marcel Dzama says of the theme of The Mask Makers , the booth he's curating for David Zwirner at Independent Brussels. 'The mask is freedom, anonymity, a new identity or gender, and bridging us to the afterlife.' The exhibition is rooted in Dzama's own fascination with masks, which have appeared in his work since the...
If it wasn’t already evident that it’s Frieze Week in London, a stroll down New Bond Street would probably tip you off, as there are collectors on nearly every corner talking to dealers with binders, with iPads, and making the sounds of work being sold. There are also long lines at the ATMs in the HSBC branch here on one of...
Gumby, surfers, penises, Batman and Robin, naked ladies with machine guns, Diamond Dogs-era David Bowie, bats and skulls, Charles Manson, dancers in polka dot dresses: These are a few of the motifs that crop up in Forgetting the Hand , a show of collaborative works by artists Raymond Pettibon and Marcel Dzama at David Zwirner Gallery .
New York City Ballet's special Artist Series has come to be one of our favorite artistic collaborations in recent years. From Dustin Yellin to JR and FAILE, the series features special performances and installations created by different artists. This years has us especially excited! Starting January 19th, Marcel Dzama will create a major...
A conversation about instinct in creative practice that nods to punk rock, fatherhood, and the ethics of artistic expression. In the fifth episode of Dialogues , artist Marcel Dzama—known for his whimsical style, distinctive colour palette, and varying mediums that include drawing, sculpture, film, and costume design—is paired with musician and...
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