
David Zwirner is pleased to present an exhibition of new paintings by Josh Smith at the gallery’s 606 N Western Avenue location in Los Angeles. This marks Smith’s first solo show in Los Angeles, and his first solo painting exhibition in the United States in five years.
In these paintings, Smith takes the Grim Reaper—a recurring figure in his work—and places him on a bicycle, riding through the streets of New York. Set against the city’s skyline, the reapers weave through traffic, emerge from subway stations, and dart past the Statue of Liberty and the Empire State Building. Rather than anonymous symbols of death, these reapers are folded into the chaos of the city. They look back. Their cloaks, layered in slashes and ribbons of color—sometimes heavy in black, other times edged in blues, purples, neon greens, or acidic oranges—function as both costume and surface.



Josh Smith is a New York-based painter who also works with collage, sculpture, printmaking, and books. He first became known in the early 2000s for a series of canvases depicting his own name, a motif that allowed him to experiment freely with abstraction and figuration and the expressive possibilities of painting. His work has since given way to monochromes, gestural abstractions, and varied imagery, including leaves, fish, skeletons, sunsets, and palm trees that the artist has explored in series. Smith’s work engages in a celebratory and prolific process of experimentation and refinement—upending the conventions of painting while simultaneously commanding a deep awareness of its history.





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