Alexandra Bachzetsis' first solo at Experimenter unfolds at the intersection of dance, performance, the visual arts and theatre, generating a conflation of the spaces in which the body, as an artistic and critical apparatus, can manifest.
Much of Bachzetsis' work involves choreographies of the body and, in particular, the way that popular culture provides source material for gesture, expression, identification, and fantasy as we continually create and re-create our bodies and the way we identify. Within this, she scrutinizes the mutual influence between the use of gesture and movement in the 'popular' or 'commercial' genres on the one hand (online media, video-clip and television as a resource) and in the 'arts' on the other hand (ballet, modern and contemporary dance and performance). For Bachzetsis, the artificial and often precarious relationship between such genres produce an inquiry into the human body and its potential for transformation, however conceptual or actual. Ultimately, the way we all perform and stage our bodies and ourselves – through stereotypes and archetypes, through choice and cliché, through labour and spectacle – is a question that continues to shape her work.
– Excerpted text by Hendrik Folkerts
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