
In her latest exhibition of new paintings, Calida Rawles explores parallax: how changing our point of view can change the way we see the same moment. Known for merging hyperrealism with poetic abstraction, Rawles situates Black subjects within dynamic, fluid environments, using water as both a vital material and a historically charged space through which questions of identity, memory, healing, and belonging come into focus.
This new exhibition centers on a series of three paintings based on photographs Rawles took of her youngest daughter in a pool. Captured within seconds of one another as Rawles moved around her in the water, the photographs record essentially the same moment from shifting positions and perspectives—each yielding an entirely different composition and visual experience. As she notes, “I became interested in this subtle shift: how proximity, distance, angle, and movement can transform what we see without changing the moment itself.” Through abstraction, water, light, and the movement around the figure, the resulting works create spaces that feel at once intimate and expansive.





The paintings of Calida Rawles (b. 1976, Wilmington, DE; lives and works in Los Angeles, CA) merge hyper-realism with poetic abstraction. Situating her subjects in dynamic spaces, her recent work employs water as a vital, organic, multifaceted material, and historically charged space. Ranging from buoyant and ebullient to submerged and mysterious, Black bodies float in exquisitely rendered submarine landscapes of bubbles, ripples, refracted light and expanses of blue. For Rawles, water signifies both physical and spiritual healing as well as historical trauma and racial exclusion. She uses this complicated duality as a means to envision a new space for Black healing, and to reimagine her subjects beyond racialised tropes. Enhancing the seductive nature of water, the work tempers heavier subjects with aquatic serenity and geographic and temporal ambiguities, inviting multiple readings. Embedded in her titles and topographical notations in the compositions, Rawles’ canvases represent an expansive vision of strength and tranquility during today’s turbulent times, while insisting on the triumph of humanity.



Rachel Lehmann and David Maupin founded Lehmann Maupin in 1996. The gallery represents a diverse range of American artists, as well as artists and estates from across Europe, Asia, Africa, South America, and the Middle East. It has been instrumental in introducing numerous artists from around the world in their first New York exhibitions.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
