
Several paintings present mirrored figures, facing one another with a left–right inversion. These are double figures, confronting and at times merging with each other, like parallel universes that intersect or fall apart.
As often in Marc Desgrandchamps’ canvases, the situations offered to the viewer reveal a kind of porosity of space—one that opens onto other dimensions and other realities. For the artist, the sensation of time is enveloping rather than linear, producing temporal harmonies and dissonances that gently unsettle the gaze. Places and times mingle, much like the blending of colors.
A sense of fragility and disappearance emerges from certain canvases, like the day after an invisible catastrophe. Something has taken place, though no one can describe it. What remain are mirrored figures, confronting themselves and their solitude—survivors standing against the horizon, or even towering above it with their full presence (“Souvenir d’éléphant”).
Beyond this density of time, painting also conveys the fleetingness of the instant: a moment when a ray of sunlight illuminates a cliff or the surface of water, and painting seeks to capture it. In the artist’s usual practice, this process involves a long maturation beginning with a photograph and unfolding on canvas through successive layers and back-and-forth reworkings. Several days, sometimes weeks, are needed to reach a “definitive” state. In this exhibition, Marc Desgrandchamps presents for the first time a small group of “one-day” paintings, executed in a single movement. The canvas ground is left bare, and from it new and unsettling compositions that open pathways to understanding the artist’s process.
Also on view are new prints published by Galerie Lelong, including one in several variants enhanced with gouache.
Born in 1960, Marc Desgrandchamps lives and works in Lyon. His work has been exhibited in numerous prestigious institutions, including the Musée d’Art Moderne de Paris (2011), the MNAM – Centre Georges Pompidou (2006), and the Kunstmuseum Bonn (2005). In 2023, his work was the subject of a retrospective at the Musée d’Art Contemporain de Marseille and then at the Musée des Beaux-Arts de Dijon, accompanied by a catalogue published by Skira. His works are represented in many French public collections, including: Frac Île-de-France – Le Plateau; Frac Occitanie Toulouse – Les Abattoirs; Musée d’Art Contemporain de Lyon; Musée d’Art Moderne et Contemporain des Sables d’Olonne; Musée des Beaux-Arts de Caen; Musée d’Art Moderne et Contemporain de Strasbourg; Centre national des arts plastiques (CNAP).
Marc Desgrandchamps (born in 1960) lives and works in Lyon (France). Marc Desgrandchamps, leading painter figure painter of the French art scene, plays with the notions of opacity, transparency and superimposition. If his painting is figurative, indeed we recognise bodies and landscapes, the perspective is often twisted, space is indefinite, and suddenly anomalies arise: bodies and objects are fragmented. His works references comes from many universes (art history, photography, cinema, literature and music), it raises the question of the medium’ specificities and experiences the limits of figuration. He paints, according to his own words, ‘a painting of doubt, doubt of the figure, doubt of presence, doubt even of painting’. Another recurrent motif in its artistic practice, the feminine figure, and especially the one of the bathers, occupies a central place. Marc Desgrandchamps has benefited from several major exhibitions, especially in the Museum of Contemporary Art in Strasbourg (2004), the Museum of Contemporary Art in Lyon (2004), the Kunstmuseum in Bonn (2005), the National Museum of Modern Art—Centre Georges Pompidou (2006), as well as an important retrospective at the Museum of Modern Art of the City of Paris (2011). In addition, his work is present in French institutional collections (FRAC Ile-de-France - Le Plateau in Paris, Museum of Modern and Contemporary Art in Saint-Étienne, Regional Museum of Contemporary Art Languedoc-Roussillon in Sérignan, Museum of Contemporary Art of Lyon, Museum of Modern and Contemporary Art of Strasbourg).



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