
In Jared Ginsburg’s All the things you are, presented with support from blank projects, here objects enter on their own terms. Cardboard, wood, resin, rubber, and steel key boxes sit beside and inside paintings, unsettling any easy hierarchy of support and subject. A security key cabinet may hinge into a picture, or a picture may stretch to accommodate hardware; value implied by the canvas meets the stubborn life of materials. In this fold between the elevated and the everyday, Ginsburg tests what kinds of attention art can ask for and receive, and its ability to sharpen or complicate our habits of looking.









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