ROSE B. SIMPSON

Androgynist clay figures adorned with found and manufactured objects are often at the base of Simpson’s practice. The pieces are ruminations on family, gender, marginality, as well as the effects these aspects have on the understanding of self. While the choice to work in clay is a link to familial relationships, the inherited nature of the material also adds to the concepts being presented. Just as individuals are shaped by memory and experience, objects made of clay become a record of the process that shaped them. The resulting pieces are both powerful and vulnerable and offer intimate records of self-exploration.

Simpson has a BFA from the Institute of American Indian Art, an MFA from Rhode Island School of Design and an MA in Creative Writing from the Institute of American Indian Arts. She has had recent solo exhibitions at The Fabric Workshop and Museum (Philadelphia, PA), ICA Boston (Boston, MA), the Wheelwright Museum (Santa Fe, NM), the Nevada Art Museum (Reno, NV), and SCAD Museum of Art (Savannah, GA). Museum collections include the Denver Art Museum, ICA Boston, The Metropolitan Museum of Art, Museum of Contemporary Art Chicago, Museum of Fine Arts Boston, Nevada Art Museum, Pomona College Museum of Art, Portland Art Museum, Princeton University Art Museum, and San Francisco Museum of Modern Art.

Text courtesy Jack Shainman Gallery