A group of voices accompanies me in the exhibition. They are singing words I cannot comprehend, yet the warm tunes are familiar: folk songs, love songs, songs of longing. There are letters, too. They speak of the quotidian details of a soldier's life: the hardness of the war, sending money to the family, and longing for familiar landscapes, food,...
There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Lehmann Maupin is pleased to announce ingxube, the gallery’s first solo exhibition for Liza Lou, and the artist’s first solo exhibition in Hong Kong. The Los Angeles-based artist divides her practice between studios in California and in KwaZulu-Natal in South Africa, where she established a studio with a team of 30 Zulu artisans in 2005. This close relationship has enabled Lou to further develop her signature medium of glass beads by collectively producing intricately beaded canvases, sculptures, and large-scale installations. For this exhibition, Lou will present new work from her ingxube series, with six colorful minimalist paintings comprised entirely of woven beads. The gallery will host a press preview on Wednesday, January 18, and an opening reception for the artist on Thursday, January 19, from 6-8 PM.
Lou’s work can be interpreted as a meditation on labor and process that welcomes variance and accident to illuminate repetition. For more than two decades, she has worked with glass beads as her primary medium. From working alone on large-scale sculptures to developing unique community strategies, she investigates the beauty of labor, challenges the accepted definitions of art and craft, and addresses the socio-political issues of gender, class, race, and community. For her best-known installation, Kitchen (1991-96), now in the permanent collection of the Whitney Museum of American Art, New York, she worked alone over five years to create a life-sized replica of an American kitchen, complete with brand-name household products, in which every surface was meticulously overlaid with small glass beads. The monumental piece established Lou as a sculptor and solidified her commitment to highlighting the often-invisible labor of women.
The ingxube series exemplifies Lou’s sustained interest in pushing the structural and aesthetic possibilities of her material while extending the creative conversation with her South African studio community. The Zulu word “ingxube” translates loosely to “random” or “mixture,” which alludes to the method of production of these works. Using selections of different colored beads that she blends into custom color groupings, much like mixing paint pigments, Lou assigns a variety of strips to be woven by the artisans in prescribed dimensions, requiring only that beads be chosen randomly. Selecting from the resulting hundreds of strips, Lou then builds and weaves each into a ‘canvas.’ Minimalist and abstract, they are deeply influenced by landscape and also reference the color field works of artists aligned with the New York School during the 1960s. Similar to these artists, Lou’s subtle striations of color achieve a sense of depth and light moving across the pixilated surface of each canvas.
Liza Lou (b. 1969, New York) has exhibited at the Metropolitan Museum of Art, New York; Victoria and Albert Museum, London; Israel Museum, Jerusalem; Museum of Contemporary Art, Tokyo; Fondation Cartier pour l'Art Contemporain, Paris; Contemporary Art Museum, Houston, Smithsonian Institution, Washington, D.C.; and the Los Angeles County Museum of Art. Lou’s work has been featured in solo exhibitions at Museum Kunst Palast, Düsseldorf; Henie Onstad Kunstsenter, Norway; Fundacio Joan Miró, Barcelona; SCAD Museum of Art, Savannah; Aspen Art Museum; Bass Museum of Art, Miami; and the Neuberger Museum of Art, New York. Her work has also been featured internationally at the 5th Biennale de Lyon d'art Contemporain, France; Taipei Biennial; Taipei Fine Arts Museum, Taiwan; and ARS 01, KIASMA Museum of Contemporary Art, Helsinki. The artist’s work is also in many prominent museum collections, including The Whitney Museum of American Art, the Cleveland Museum of Art, The Brant Foundation, The Hammer Museum and The Museum of Modern Art, New York. In 2005, Lou moved to South Africa, where she established a studio with Zulu bead workers. Lou is the recipient of a 2013 Anonymous Was A Woman Award and in 2002 she received the John D. and Catherine T. MacArthur Foundation Fellowship. The artist is based between Los Angeles and KwaZulu-Natal.
For more information on Liza Lou or other Lehmann Maupin artists, please contact Marta de Movellan or Kathryn McKinney at +1 212 255 2923, or visit lehmannmaupin.com.
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