
LGDR is pleased to present Lines in Space, the first gallery exhibition in Paris dedicated to thework of Gego (1912–1994). A leading figure of Venezuelan abstraction in the 1960s and ‘70s, Gegocreated multidimensional works that radically engage the properties of line and space. Presentedin collaboration with Fundación Gego, Lines in Space will offer a concentrated survey of the artist’sworks across media, including the constellated wire structure Chorro (1979/86), the six-part steel-and-bronze sculpture Cornisa I (1967), and her luminous watercolours, collages, and drawings.Opening November 24, this presentation follows those organized by Lévy Gorvy in New York (2015)and London (2016), continuing a long-standing relationship with the artist’s estate.
Best known for her net-like wire structures, Gego rejected stylistic categories and historicaltrajectories of influence, wedding the intuition of expressionism and the order of the constructivistgrid. Her approach to geometric abstraction is defined by her calligraphic hand as well as hertraining in architecture and engineering. Working between artistic disciplines, Gego challengedthe grid as an idealised form so often employed in modernised urban space. Indeterminacy wassomething she welcomed in the reception and production of her works. In 1981, she wrote: “What isstimulating is activity, the development of which is impossible to know beforehand.”
Spanning a period from 1961 through 1990, Lines in Space begins with works on paper that explorethe possibilities of line to disrupt or diffuse ordered composition. On view will be key examples of theartist’s sculptural series, such as Chorro (1979/1986). Initiated as a Chorro (Stream) work in 1979, thesculpture was reworked by the artist in 1986, attaining the net-like qualities of Reticulàrea, Gego’smost impactful series. The work is one of approximately 15 large-scale, stand-alone wire sculpturesby the celebrated artist.
The three-dimensional works in the exhibition have the effect of immaterial volumes, constructedby shadow as much as solid form. Across her work, Gego dissolved structural boundaries to activatemarginal and interstitial space. The latest works on view belong to the artist’s final series, _Tejeduras_(Weavings) (1988–91), which comprise found paper woven to recall the textile craft Gego learned inher childhood in Hamburg, Germany.
Lines in Space will coincide with a major retrospective of the artist’s work on view at Museo Jumexin Mexico City (October 2022–February 2023), which traveled from the Museu de Arte de SãoPaulo (2019–1920) and will continue on to the Solomon R. Guggenheim Museum, New York (March–September 2023), and the Guggenheim Bilbao (October 2023–February 2024). In 2023, Lines inSpace will be presented at LGDR in New York, offering a precise, in-depth view into Gego’s work,illuminating its logic of connectivity and possibility.
Gego (1912–1994) was a leading figure of mid-century Venezuelan abstraction, whose work in sculpture and drawing radically engaged the properties of line and space. Her definitive ‘Reticulárea’ series (begun in 1969) brings together the intuition of expressionism and the order of the Constructivist grid in suspended three-dimensional constellations of metal wire. Subtly contoured by light and the shifting environment, the works have the effect of immaterial volumes, constructed by shadow as much as solid form.
Helmed by Dominique Lévy, Brett Gorvy, and Amalia Dayan, Lévy Gorvy Dayan collaborates with artists, estates, non-profit organizations, foundations, museums, and private collections to increase the visibility of twentieth- and twenty-first century works and artists—realizing seminal projects and furthering legacies. In forming Lévy Gorvy Dayan, the partners merge their respective specialties across twentieth- and twenty-first century art, their reputations as leaders and tastemakers, and their respective backgrounds in the primary and secondary markets. Lévy Gorvy Dayan provides opportunities for education, exposure, and access to acquiring exceptional art through its museum-quality exhibition program and thoughtful participation in international art fairs. Expanding, refining, and enhancing world-class modern and contemporary art collections, the gallery emphasizes connoisseurship and curation in its collection development, estate planning, and art appraisal services. Both international and local in practice and perspective, Lévy Gorvy Dayan has unique spaces and unmatched market knowledge in New York, London, and Hong Kong, in addition to representation in Geneva, Milan, Paris, Shanghai, Singapore, and Taiwan.

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