
For the latest exhibition in East Hampton, Lisson Gallery is pleased to present new work by Spencer Finch. With light and colour as his subject matter, the Brooklyn-based artist creates ethereal, poetic work, recreating his journeys and experiences with the natural world in watercolour, photography, installation, video and drawing. Finch seeks to capture the ineffable qualities of everyday human existence.
Finch often incorporates the experience of light into his work—whether filtered through sunsets or seasons—investigating notions of place, as well as optics and perceptions. The neon work spreading across the main wall of the gallery, Shadow of Orange Tree (After Lorca) (2020) re-creates the shadow of a tree in the garden of Spanish poet and playwright Federico García Lorca’s childhood home. Inspired by Lorca’s poem ‘Song of the Barren Orange Tree’, Finch travelled to Fuente Vaqueros, in Granada, Spain, and measured the light as he experienced it on that day.
An avid gardener, Finch spent the months of lockdown in the country, outside of New York City. He used this time with his plants to chronicle their growth, including Blooming Calendar (my garden) (2020). Like much of his works that document natural phenomena, this vibrantly coloured watercolour reflects both his devotion to the land and his deep appreciation of nature. Referencing the historic tradition of Japanese cherry blossom calendars, each coloured dot in Blooming Calendar (my garden) relates to a day that a flower in Finch’s garden first bloomed.
Since its inauguration this summer, Lisson Gallery’s 1,000 square foot East Hampton space has presented exhibitions focused on both seminal, historic artworks and premiered new bodies of work. Previous artists on view include Stanley Whitney, Carmen Herrera, Anish Kapoor, Van Hanos, Joanna Pousette-Dart, Sean Scully, Shirazeh Houshiary, Liu Xiaodong, Tony Oursler, Channa Horwitz, Hugh Hayden and Jason Martin. This focused format, in an intimate setting, recalls the origins of Lisson Gallery, which was established in 1967 in a storefront window on London’s Bell Street. The Long Island location of the new space joins Lisson’s two other galleries in the New York area, including the recent expansion to a second location on West 24th Street in Manhattan’s Chelsea neighbourhood.
The health and safety of visitors remains a top priority, and strict measures will be implemented in the space to mitigate the spread of COVID-19. A mask will be required for entry, and hand sanitiser will be provided. Please visit our website for further details about the guidelines and to schedule an appointment.
Spencer Finch is best known for ethereal light installations that visualise his experience of natural phenomena. His investigations into the nature of light, colour, memory and perception proceed in watercolours, drawings, video and photographs. Finch distills his observations of the world into glowing abstract colour but also diverts them through cultural and historical filters: in homage to Emily Dickinson’s 1862 poem ‘Before I got my eye put out’, he measured the sunlight in her Massachusetts garden then recreated the effect of a passing cloud by means of fluorescent tubes covered in gel and suspended theatre filters. He has painted the changing shades of grey on Sigmund Freud’s ceiling in Vienna, viewed from the psychoanalyst’s couch and later, in 102 Colors from My Dreams, 2002, recorded the colours he saw in his sleep then colour-matched inks to make a sequence of Rorschach blots. Compelled by what he describes as ‘the impossible desire to see oneself seeing’, Finch holds up an enchanting prism between the outer world and inner thought.

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