One of the most celebrated artists in America, Rashid Johnson examines the scope and breadth of Blackness through photography, installation, film, painting, sculpture and drawing. His work interrogates the complexities of cultural identity and history in the contemporary world, engaging with the history of conceptual art as well as Black experience.
Born in Chicago in 1977, Rashid Johnson’s father was a multidisciplinary artist and his mother a poet and academic—he has talked about “intersectional identities” in his home. In high school, he realised he wanted to make art and graffiti became his outlet for expression. While at Columbia College in Chicago, he worked for a wedding photographer, which spurred him into thinking that art photography could be a creative option.
Johnson began his artistic career with photography and first garnered critical acclaim when he took part in Freestyle (2001), a group exhibition curated by Thelma Golden featuring work by 28 young Black artists at the Studio Museum in Harlem, New York City. He showed a series of photographic portraits depicting a homeless Black man he had encountered in Chicago. He then expanded his practice into video and abstract paintings, mixing African black soap with melted wax and applying this new medium to mirrored panels or ceramic tiles. This led to his Cosmic Slops series, where he poured the wax/soap mix into trays and carved into it as it dried. Text paintings and abstract sculptures followed. In 2020, he began painting with oil on canvas.
While Rashid Johnson’s early photographs were developed using a 19th-century technique called Van Dyke brown, which gave them an intimate, historical feeling. He then expanded his practice into painting with a mixture of African black soap and melted wax, creating abstract sculptures and eventually painting with oil on canvas. He told New Yorker magazine in 2024: “I see myself as a post-medium artist... I used the camera lens when I wanted legibility, but the lens doesn’t capture my need for gesture in the way painting does. Sculpture is a space for play and tactility.” He has also worked with wood, brass, steel, ceramic tiles, found objects and live plants.
Rashid Johnson is influenced by Black American culture in the post-Civil Rights era and his personal lived experience and memories. He has been inspired not only by visual artists but by activists, writers, actors, philosophers and musicians, for example: Joseph Beuys, Eldridge Cleaver, David Hammons, Carl Andre and Sun Ra.
Personal and collective experiences of Black Americans receive careful contemplation in Johnson’s works. His references come from Black identity and cultural history, and also from art history. Anxiety is also a frequent theme, not only in the Anxious Men and Anxious Red series, but also in The Hikers (2019), a seven-minute film in which two young Black men run into each other on a mountain peak, explores the anxiety that comes from unexpected meetings in an isolated space. Rashid Johnson also frequently references plants, not just in his work but by adding live plants to exhibitions.
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