Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
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Michael Goedhuis is delighted to present a selection of works for this year’s The Salon Art + Design fair. Our focus is on Chinese contemporary ink works on paper, represented by artists such as Wei Ligang, Qin Feng, Wang Dongling, Yang Yanping, Yao Jui-chung, Leung Kui Ting and Zeng Shanqing.
China is the oldest surviving civilisation on earth, and Chinese contemporary ink works, from calligraphy and paintings to photography and video, express the continuation of this vast past in ways that are meaningful for society today both in China and the West.
Calligraphy is the sublime and central achievement of China and has been practised for hundreds of years by millions of Chinese, for whom it is a method of achieving the harmonious integration of mind and body.
Painting, together with calligraphy, poetry and music, constitutes one of the four key traditional arts of China and is an extension of the art of calligraphy. It is, therefore, like calligraphy, linked to the sacred prestige of the written word.
Today’s ink artists are deeply aware of the classical canon and its aesthetic and moral imperatives and have carefully studied the old masters - as Picasso and Cézanne studied Raphael, Poussin, Velázquez and others, in order to formulate their own revolution for their work to be meaningful for the world of today.
Very many different stylistic approaches have evolved over the past 30 years. Works now range from those that, at first sight, look quite traditional but in fact embody powerful, fresh aesthetic initiatives, via those poised delicately in an intermediate style, to those that are unambiguously avant-garde. But all of the best contemporary practitioners have a common purpose… to create works that do not jettison the great cultural legacy of the past in formulating a language that addresses the intellectual, cultural and social issues of today.
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