The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
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Michael Goedhuis is delighted to present a selection of works for this year’s The Salon Art + Design fair. Our focus is on Chinese contemporary ink works on paper, represented by artists such as Wei Ligang, Qin Feng, Wang Dongling, Yang Yanping, Yao Jui-chung, Leung Kui Ting and Zeng Shanqing.
China is the oldest surviving civilisation on earth, and Chinese contemporary ink works, from calligraphy and paintings to photography and video, express the continuation of this vast past in ways that are meaningful for society today both in China and the West.
Calligraphy is the sublime and central achievement of China and has been practised for hundreds of years by millions of Chinese, for whom it is a method of achieving the harmonious integration of mind and body.
Painting, together with calligraphy, poetry and music, constitutes one of the four key traditional arts of China and is an extension of the art of calligraphy. It is, therefore, like calligraphy, linked to the sacred prestige of the written word.
Today’s ink artists are deeply aware of the classical canon and its aesthetic and moral imperatives and have carefully studied the old masters - as Picasso and Cézanne studied Raphael, Poussin, Velázquez and others, in order to formulate their own revolution for their work to be meaningful for the world of today.
Very many different stylistic approaches have evolved over the past 30 years. Works now range from those that, at first sight, look quite traditional but in fact embody powerful, fresh aesthetic initiatives, via those poised delicately in an intermediate style, to those that are unambiguously avant-garde. But all of the best contemporary practitioners have a common purpose… to create works that do not jettison the great cultural legacy of the past in formulating a language that addresses the intellectual, cultural and social issues of today.
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