Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
TARO NASU opened in 1998.Read More
It is located at Bakuro-cho, downtown area evolving as a new cultural area in Tokyo.
The gallery focuses the conceptual artworks by the domestic and international artists.
It has devoted to explore the contemporary art after 80’s as 'experience', mainly working with conceptual artists such as Pierre Huyghe, Liam Gillick, Jonathan Monk, Ryan Gander. Mika Tajima, Simon Fujiwara and Tatsuo Majima.
And it constantly working with the featured Japanese contemporary photographers such as Taiji Matsue, Takashi Homma and Maiko Haruki.
Not only the established artists, but it also supports the promising Japanese younger artists as Futo Akiyoshi, Koichi Enomoto and Cozue Takagi whose works have been drawing many attentions internationally.
Furthermore, the gallery has organised the exhibitions related to architecture, like the series of exhibition gesture, form, technique, the show which questions the boarder between art and design. and Yume ie exhibition : Japanese architects of the next generation (2017).
TARO NASU now works with over 20 artists and have been collaborating with many museums and public institutions from inside and outside the country.
The gallery is also cooperating with international art exhibition such as Shanghai Biennale (2012), Gwangju Biennale (2016), Okayama Art Summit (2016) and Biennale of Sydney (2018).
Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev , was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and...
RoseLee Goldberg had long been invested in contemporary performance art before her founding of the inter-disciplinary arts organisation Performa in New York in 2004. Born in Durban, South Africa, Goldberg studied political science and fine arts at the University of the Witwatersrand in Johannesburg, and then art history at the Courtauld...
There has been a flurry of triennial and biennial art activity in Japan this year. This report explores some of these shows, concluding with Pierre Huyghe's Okayama Art Summit.
'Frieze London brings together more than 160 galleries from 36 countries, representing the fair's most international edition since its launch. Introducing new curators and sections showcasing performance, emerging artists and the contemporary significance of complex art genealogies and colonial legacies, Frieze London creates an exceptional moment...
Would you try your luck with a vending machine that dispenses random artworks for a £500 fee (about $640)? British artist Ryan Gander's latest art installation is on display at London's Taro Nasu gallery as part of Frieze, an annual arts fair taking place in the city's Regent's Park.
It can be tiring traipsing around the annual Frieze London art fair in Regent's Park – which is why, when you pass Tokyo gallery Taro Nasu's booth, you may find yourself drawn to a black vending machine. If you're after refreshment, though, prepare for disappointment – because this automated device is an installation by British conceptual artist...
There are hundreds of exhibitions in Venice during the Biennale. Alongside the main exhibition in the Giardini and Arsenale, there are 90 national presentations, many in nearby pavilions in the Giardini and in spaces around the Arsenale, but also dotted throughout Venice. Then there are the official collateral exhibitions in museums and galleries...
Curated by Mika Yoshitake, Parergon: Japanese Art of the 1980s and 1990s forms a corollary to her 2012 Blum & Poe exhibition Requiem for the Sun: The Art of Mono-ha , which presented a much-needed introduction to a group of postwar Japanese artists whose works have now been aligned with more recognizable Western European movements such as...
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