Ocula Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ Stephanie Bailey, Singapore STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.
Ocula Report New Delhi, Mumbai, Kolkata: Shows to See Kanika Anand, New Delhi With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.
Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
TARO NASU opened in 1998.
Read MoreIt is located at Bakuro-cho, downtown area evolving as a new cultural area in Tokyo.
The gallery focuses the conceptual artworks by the domestic and international artists.
It has devoted to explore the contemporary art after 80’s as ”experience”, mainly working with conceptual artists such as Pierre Huyghe, Liam Gillick, Jonathan Monk, Ryan Gander. Mika Tajima, Simon Fujiwara and Tatsuo Majima.
And it constantly working with the featured Japanese contemporary photographers such as Taiji Matsue, Takashi Homma and Maiko Haruki.
Not only the established artists, but it also supports the promising Japanese younger artists as Futo Akiyoshi, Koichi Enomoto and Cozue Takagi whose works have been drawing many attentions internationally.
Furthermore, the gallery has organized the exhibitions related to architecture, like the series of exhibition “gesture, form, technique”, the show which questions the boarder between art and design. and “Yume ie exhibition : Japanese architects of the next generation” (2017).
TARO NASU now works with over 20 artists and have been collaborating with many museums and public institutions from inside and outside the country.
The gallery is also cooperating with international art exhibition such as Shanghai Biennale (2012), Gwangju Biennale (2016), Okayama Art Summit (2016) and Biennale of Sydney (2018).
Ocula Conversation Pierre Huyghe: The Artist as Director Stephanie Bailey, Okayama Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev , was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and...
Ocula Report Aichi to Okayama: Art in Japan Looks to the Future Stephanie Bailey, Okayama There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced...
Ocula Photolog Frieze London 2019 'Frieze London brings together more than 160 galleries from 36 countries, representing the fair's most international edition since its launch. Introducing new curators and sections showcasing performance, emerging artists and the contemporary significance of complex art genealogies and colonial legacies, Frieze London creates an exceptional moment...
Ocula Report 58th Venice Biennale: May You Live In Interesting Times Mohammad Salemy, Venice The 58th Venice Biennale , May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...
Related Press British artist Ryan Gander's vending machine sells art for $600 a pop 5 October 2019, CNN Would you try your luck with a vending machine that dispenses random artworks for a £500 fee (about $640)? British artist Ryan Gander's latest art installation is on display at London's Taro Nasu gallery as part of Frieze, an annual arts fair taking place in the city's Regent's Park.
Related Press Frieze London review, Regent's Park: the fine art of hobnobbing and showing off 3 October 2019, Telegraph It can be tiring traipsing around the annual Frieze London art fair in Regent's Park – which is why, when you pass Tokyo gallery Taro Nasu's booth, you may find yourself drawn to a black vending machine. If you're after refreshment, though, prepare for disappointment – because this automated device is an installation by British conceptual artist...
Related Press The Art Newspaper's pick of the 2019 Venice Biennale 30 April 2019, The Art Newspaper There are hundreds of exhibitions in Venice during the Biennale. Alongside the main exhibition in the Giardini and Arsenale, there are 90 national presentations, many in nearby pavilions in the Giardini and in spaces around the Arsenale, but also dotted throughout Venice. Then there are the official collateral exhibitions in museums and galleries,...
Related Press From Monumental to Microscopic, These Works Changed the History of Art in Japan 13 March 2019, Frieze Curated by Mika Yoshitake, Parergon: Japanese Art of the 1980s and 1990s forms a corollary to her 2012 Blum & Poe exhibition Requiem for the Sun: The Art of Mono-ha , which presented a much-needed introduction to a group of postwar Japanese artists whose works have now been aligned with more recognizable Western European movements such as...
